A History of Free VerseThis book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm. |
From inside the book
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Page 8
... stanza brings to mind The Faerie Queene , together with its images and style . Every tragedy written in unrhymed iambic pentameter is perceived against the background of Shakespearean tragedies , with their character types , plots , and ...
... stanza brings to mind The Faerie Queene , together with its images and style . Every tragedy written in unrhymed iambic pentameter is perceived against the background of Shakespearean tragedies , with their character types , plots , and ...
Page 28
... stanzas , by which the voice is regularized and the memory relieved " ( 1.47 ) . In the middle of the nineteenth century , Harriet Martineau took Matthew Arnold's verse to task in a way that clearly refers to a shared set of rhythmic ...
... stanzas , by which the voice is regularized and the memory relieved " ( 1.47 ) . In the middle of the nineteenth century , Harriet Martineau took Matthew Arnold's verse to task in a way that clearly refers to a shared set of rhythmic ...
Page 63
... Although Cowley knew that Pindar's stanzas were ( by Cowley's standards at least ) regular , in the preface to his Pindarique Odes ( 1688 ) he defends the irregularity of his own odes on the grounds that he The Loose Tradition in Verse 63.
... Although Cowley knew that Pindar's stanzas were ( by Cowley's standards at least ) regular , in the preface to his Pindarique Odes ( 1688 ) he defends the irregularity of his own odes on the grounds that he The Loose Tradition in Verse 63.
Page 64
... stanzas are not of a uniform or predictable length ; the rhymes are not predictable . Under this definition , Cowley's oft - anthologized " Of Wit " does not qualify as irregu- lar , because each stanza is formally identical.2 Less ...
... stanzas are not of a uniform or predictable length ; the rhymes are not predictable . Under this definition , Cowley's oft - anthologized " Of Wit " does not qualify as irregu- lar , because each stanza is formally identical.2 Less ...
Page 65
... stanza will likely look like one of these two ways : or Thus , not only do line lengths recur regularly , but also the rhymes correspond with their recurrence . However , in Cowley's " To Mr. Hobs , " a reader confronts lines that look ...
... stanza will likely look like one of these two ways : or Thus , not only do line lengths recur regularly , but also the rhymes correspond with their recurrence . However , in Cowley's " To Mr. Hobs , " a reader confronts lines that look ...
Contents
13 | |
61 | |
The Haunting of Wallace Stevens | 101 |
Straight Talk Straight as the Greeks | 135 |
The Parsing Meter and Beyond | 179 |
Avoiding Prosody? | 223 |
Notes | 237 |
Works Cited | 255 |
Index | 273 |
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Common terms and phrases
aesthetic alliteration approach argues Arnold asserted begins Blue Guitar cadence called century chapter claim classical Coleridge Coleridge's consider contemporary couplets Cowley Cowley's create critics decorum describes Dover Beach E. E. Cummings Eliot English enjambment essay example feel free verse free-verse theory genre grammatical Greek Henley iambic pentameter iambs idea Imagist imitate implies insists irregular ode language Letters line breaks lineal form long-line loose lyric means metaphor metrical Milton's natural nineteenth-century notion organic organicism pattern perhaps phrase Pindar poem poem's poet's poets Pope Pound prose Prufrock reader regular rhyme and meter rhythmic rules scansion seems sense short lines short-line sonnet sort sound speaker speech stanza Stevens Stevens's stress suggests syllables tetrameter thing thought tion traditional prosody traditional verse translation triadic line trimeter twentieth-century variable foot vers libre versification visual Wallace Stevens Whitman William Carlos Williams Williams Williams's words writing wrote