A History of Free VerseThis book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm. |
From inside the book
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Page 21
... regular recurrence of thesis and arsis " ( 526-27 ) . This is what Pound calls " the cadence , the feel of the thing . " It is also what Henderson termed " the poetic interval " and Lowell called " return . " It is the musical rhythm ...
... regular recurrence of thesis and arsis " ( 526-27 ) . This is what Pound calls " the cadence , the feel of the thing . " It is also what Henderson termed " the poetic interval " and Lowell called " return . " It is the musical rhythm ...
Page 26
... regular principle . They consist of a single syllable or a handful of words accord- ing to individual whim . It is free but not verse except in some perverted mean- ing of the term . ( 572 ) Warner disparages psychological ...
... regular principle . They consist of a single syllable or a handful of words accord- ing to individual whim . It is free but not verse except in some perverted mean- ing of the term . ( 572 ) Warner disparages psychological ...
Page 33
... regularly positioned ellipses : At night ... I will descend ... Wearied ... into the valley ... ( 172 ) The periods do not indicate lacunae or profound silence the grammar demands that the reader , so to speak , connect the dots — but ...
... regularly positioned ellipses : At night ... I will descend ... Wearied ... into the valley ... ( 172 ) The periods do not indicate lacunae or profound silence the grammar demands that the reader , so to speak , connect the dots — but ...
Page 52
... regular lines , is similarly heterogeneous : the most interesting verse which has yet been written in our language has been done by taking a simple form , like the iambic pentameter , and constantly with- drawing from it , or taking no ...
... regular lines , is similarly heterogeneous : the most interesting verse which has yet been written in our language has been done by taking a simple form , like the iambic pentameter , and constantly with- drawing from it , or taking no ...
Page 53
Chris Beyers. The third and fourth lines are in regular iambic pentameter . Mathurin M. Dondo , in his study of French vers libre , points out that in some poems by French vers librists , “ the measure is kept with regularity despite ...
Chris Beyers. The third and fourth lines are in regular iambic pentameter . Mathurin M. Dondo , in his study of French vers libre , points out that in some poems by French vers librists , “ the measure is kept with regularity despite ...
Contents
13 | |
61 | |
The Haunting of Wallace Stevens | 101 |
Straight Talk Straight as the Greeks | 135 |
The Parsing Meter and Beyond | 179 |
Avoiding Prosody? | 223 |
Notes | 237 |
Works Cited | 255 |
Index | 273 |
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Common terms and phrases
aesthetic alliteration approach argues Arnold asserted begins Blue Guitar cadence called century chapter claim classical Coleridge Coleridge's consider contemporary couplets Cowley Cowley's create critics decorum describes Dover Beach E. E. Cummings Eliot English enjambment essay example feel free verse free-verse theory genre grammatical Greek Henley iambic pentameter iambs idea Imagist imitate implies insists irregular ode language Letters line breaks lineal form long-line loose lyric means metaphor metrical Milton's natural nineteenth-century notion organic organicism pattern perhaps phrase Pindar poem poem's poet's poets Pope Pound prose Prufrock reader regular rhyme and meter rhythmic rules scansion seems sense short lines short-line sonnet sort sound speaker speech stanza Stevens Stevens's stress suggests syllables tetrameter thing thought tion traditional prosody traditional verse translation triadic line trimeter twentieth-century variable foot vers libre versification visual Wallace Stevens Whitman William Carlos Williams Williams Williams's words writing wrote