A History of Free VerseThis book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm. |
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... Stevens Chapter Four : Straight Talk , Straight as the Greeks Chapter Five : The Parsing Meter and Beyond Conclusion : Avoiding Prosody ? Notes Works Cited Index 101 135 179 223 237 255 273 Acknowledgments “ 1 ( a ” . Copyright © 1958.
... Stevens Chapter Four : Straight Talk , Straight as the Greeks Chapter Five : The Parsing Meter and Beyond Conclusion : Avoiding Prosody ? Notes Works Cited Index 101 135 179 223 237 255 273 Acknowledgments “ 1 ( a ” . Copyright © 1958.
Page 20
... Greek Grammar Chiefly of the Attic Dialect , Jannaris remarks that the Attic dialect of Greek is a “ merely historical abstraction , that is an artistic language which nobody spoke but still everybody understood ” ( 4 ) . In his first ...
... Greek Grammar Chiefly of the Attic Dialect , Jannaris remarks that the Attic dialect of Greek is a “ merely historical abstraction , that is an artistic language which nobody spoke but still everybody understood ” ( 4 ) . In his first ...
Page 21
... Greek verse , because its primary values depend quite as essentially upon the time - values of its syllables , upon its marshaling of long and short syllables in feet of a given length " ( Poets 290 ) . Of course , unlike the well ...
... Greek verse , because its primary values depend quite as essentially upon the time - values of its syllables , upon its marshaling of long and short syllables in feet of a given length " ( Poets 290 ) . Of course , unlike the well ...
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... Greek prosody . Further , as was the case for Greek prosody , the accepted rules of English verse were hotly debated long after there was a significant body of English poetry . All this goes to prove the justice in Wesling's remark that ...
... Greek prosody . Further , as was the case for Greek prosody , the accepted rules of English verse were hotly debated long after there was a significant body of English poetry . All this goes to prove the justice in Wesling's remark that ...
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... Greek meter was an abstraction because his investigation in comparative linguistics indicated Alexandrian prosodists did not adequately describe the rhythm of the poetry they studied . He maintained that the peculiar history of the Greek ...
... Greek meter was an abstraction because his investigation in comparative linguistics indicated Alexandrian prosodists did not adequately describe the rhythm of the poetry they studied . He maintained that the peculiar history of the Greek ...
Contents
13 | |
61 | |
The Haunting of Wallace Stevens | 101 |
Straight Talk Straight as the Greeks | 135 |
The Parsing Meter and Beyond | 179 |
Avoiding Prosody? | 223 |
Notes | 237 |
Works Cited | 255 |
Index | 273 |
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Common terms and phrases
aesthetic alliteration approach argues Arnold asserted begins Blue Guitar cadence called century chapter claim classical Coleridge Coleridge's consider contemporary couplets Cowley Cowley's create critics decorum describes Dover Beach E. E. Cummings Eliot English enjambment essay example feel free verse free-verse theory genre grammatical Greek Henley iambic pentameter iambs idea Imagist imitate implies insists irregular ode language Letters line breaks lineal form long-line loose lyric means metaphor metrical Milton's natural nineteenth-century notion organic organicism pattern perhaps phrase Pindar poem poem's poet's poets Pope Pound prose Prufrock reader regular rhyme and meter rhythmic rules scansion seems sense short lines short-line sonnet sort sound speaker speech stanza Stevens Stevens's stress suggests syllables tetrameter thing thought tion traditional prosody traditional verse translation triadic line trimeter twentieth-century variable foot vers libre versification visual Wallace Stevens Whitman William Carlos Williams Williams Williams's words writing wrote