On the Structure of English Verse |
From inside the book
Results 1-5 of 15
Page 13
... iambuses . A lovely child she was , of looks serene , And motions which o'er things indifferent shed The grace and gentleness from which they came . SHELLEY . The two last syllables of indifferent form an anapæst with shed . Like an ...
... iambuses . A lovely child she was , of looks serene , And motions which o'er things indifferent shed The grace and gentleness from which they came . SHELLEY . The two last syllables of indifferent form an anapæst with shed . Like an ...
Page 15
... iambuses , would be turn- ing English verse into a strange jargon . Besides the elision , in certain cases , of redundant syllables , another poetical licence is allowed to English poets , which consists in lengthening a word that is ...
... iambuses , would be turn- ing English verse into a strange jargon . Besides the elision , in certain cases , of redundant syllables , another poetical licence is allowed to English poets , which consists in lengthening a word that is ...
Page 17
Charles Witcomb. form an iambus , as may be seen in the following examples . Now blessed be the way That led thee to me ... iambuses . The two last syllables of stateliest and loveliest in the verses that fol- low form tribrachs with the ...
Charles Witcomb. form an iambus , as may be seen in the following examples . Now blessed be the way That led thee to me ... iambuses . The two last syllables of stateliest and loveliest in the verses that fol- low form tribrachs with the ...
Page 31
... iambuses followed by an amphi- brach , mixed with iambics of two , and of three feet . ' Twas midnight dark , The seaman's bark Swift o'er the wá | ters bóre | him , When through the night He spied a light Shoot o'er the wave | before ...
... iambuses followed by an amphi- brach , mixed with iambics of two , and of three feet . ' Twas midnight dark , The seaman's bark Swift o'er the wá | ters bóre | him , When through the night He spied a light Shoot o'er the wave | before ...
Page 33
... iambuses and an amphibrach . Such verses are often intermixed with regular iambics of four feet , as in the following examples : His mother from | the window looked , With all the long | ing of a móth | er ; His little sister wéep | ing ...
... iambuses and an amphibrach . Such verses are often intermixed with regular iambics of four feet , as in the following examples : His mother from | the window looked , With all the long | ing of a móth | er ; His little sister wéep | ing ...
Other editions - View all
Common terms and phrases
accented syllable Æneid áge áir alexandrine áll alliterative verse AMETHUS amphibrach amphimacer anapæstic verses bird blank verse BYRON cæsura Cóme couplet COWPER dactyl dactylic verse death doth English poetry English poets English verse eyes Farewell five feet flowers following examples following passage foot composed four feet four-line stanza fourth gréen hath heart heaven heroic couplets heroic measure hexameters iambic verses iambuses Keats LONGFELLOW Lord LORD LYTTON mán melody metre MILTON mixed night o'er óft óver pæon passage taken pause Petrarch Piers the Ploughman poetry pyrrhic rhyme second foot SHAKESPEARE SHELLEY shore sigh Sirmio song sonnet soul sound specimen SPENSER spondee stanza stanza of iambic STRUCTURE OF ENGLISH sweet syllable followed tercet thee third foot third line thou three feet tribrach Trochaic verses trochee unaccented syllable unto verses composed verses of five verses of four verses of seven verses of three vowel wander wind words written youth
Popular passages
Page 142 - When first on this delightful Land he spreads His orient Beams, on herb, tree, fruit, and flower, Glistering with dew ; fragrant the fertile earth After soft showers ; and sweet the coming on Of grateful Evening mild...
Page 101 - I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun.
Page 141 - Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests Were slunk, all but the wakeful nightingale ; She all night long her amorous descant sung ; Silence was pleased : now...
Page 97 - And where are they? and where art thou, My country? On thy voiceless shore The heroic lay is tuneless now, The heroic bosom beats no more ! And must thy lyre, so long divine, Degenerate into hands like mine?
Page 161 - Story? God bless you! I have none to tell, sir: Only last night a-drinking at the Chequers, This poor old hat and breeches, as you see, were Torn in a scuffle.
Page 123 - Camoens soothed an exile's grief; The sonnet glittered, a gay myrtle leaf, Amid the cypress with which Dante crowned His visionary brow : a glowworm lamp...
Page 22 - The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Page 142 - Unargued I obey; so God ordains, God is thy law, thou mine: to know no more Is woman's happiest knowledge and her praise.
Page 107 - Oh, to abide in the desert with thee ! Wild is thy lay, and loud, Far in the downy cloud — Love gives it energy ; love gave it birth. Where, on thy dewy wing, Where art thou journeying ? Thy lay is in heaven ; thy love is on earth.
Page 144 - For ever on the brink of being born. All pay themselves the compliment to think They one day shall not drivel : and their pride On this reversion takes up ready praise ; At least, their own ; their future selves...