The Reader's Shakespeare: His Dramatic Work Condensed, Connected, and Emphasized for School, College, Parlour, and Platform ..., Volume 2Funk and Wagnalls Company, 1896 |
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Page 5
... TROILUS AND CRESSIDA , HAMLET , OTHELLO , KING LEAR , CYMBELINE , MACBETH , TIMON OF ATHENS , TRAGEDIES . Reprints from the First Quarto , p . 230 . བ 7 48 88 130 179 · 232 . 280 319 . 359 . 402 ROMANTIC PLAY . THE TEMPEST , . 439 5 ...
... TROILUS AND CRESSIDA , HAMLET , OTHELLO , KING LEAR , CYMBELINE , MACBETH , TIMON OF ATHENS , TRAGEDIES . Reprints from the First Quarto , p . 230 . བ 7 48 88 130 179 · 232 . 280 319 . 359 . 402 ROMANTIC PLAY . THE TEMPEST , . 439 5 ...
Page 6
... TROILUS AND CRESSIDA ............ . 5. HAMLET 6. OTHELLO ......... 7. KING LEAR 8. CYMBELINE 9. MACBETH ............... .. 10. TIMON OF ATHENS .......... When When performed printed . 1589 1609 1594 1600 ........... 1595 1597 1602 1609 ...
... TROILUS AND CRESSIDA ............ . 5. HAMLET 6. OTHELLO ......... 7. KING LEAR 8. CYMBELINE 9. MACBETH ............... .. 10. TIMON OF ATHENS .......... When When performed printed . 1589 1609 1594 1600 ........... 1595 1597 1602 1609 ...
Page 129
... TROILUS AND CRESSIDA . 99 This tragedy of " Troilus Scene iii . ] 129 ROMEO AND JULIET .
... TROILUS AND CRESSIDA . 99 This tragedy of " Troilus Scene iii . ] 129 ROMEO AND JULIET .
Page 130
William Shakespeare. TROILUS AND CRESSIDA . 99 This tragedy of " Troilus and Cressida " is supposed to have been founded on a lost composition , produced in 1599 , named the " Tragedy of Agamemnon " . In 1603 , a play called " Troilus ...
William Shakespeare. TROILUS AND CRESSIDA . 99 This tragedy of " Troilus and Cressida " is supposed to have been founded on a lost composition , produced in 1599 , named the " Tragedy of Agamemnon " . In 1603 , a play called " Troilus ...
Page 131
... Troilus and Cressida ( taken from Boccaccio's " Il Filostrato , " ) which has been followed with remarkable fidelity . The Dramatis Personæ retained in this Condensation are : PRIAM , King of Troy . HECTOR , TROILUS , his Sons . PARIS ...
... Troilus and Cressida ( taken from Boccaccio's " Il Filostrato , " ) which has been followed with remarkable fidelity . The Dramatis Personæ retained in this Condensation are : PRIAM , King of Troy . HECTOR , TROILUS , his Sons . PARIS ...
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Common terms and phrases
Achilles Agamemnon Ajax Alcibiades Andronicus Apem Apemantus art thou Banquo Bassianus blood brother Caliban Capulet Cassio Count Paris Cres Cressida Cymbeline daughter dead dear death Desdemona dost thou doth Emil Emperor enters Exeunt Exit eyes fair Farewell father fear Fool gentleman give gods Goths Hamlet hand hath hear heart heaven Hector hither honest honour Iach Iago Imogen Juliet Kent kill King Lady Laertes Lavinia Lear live look lord Lucius Macb Macbeth Macd murder ne'er night noble Nurse Othello Pandarus Pericles play poor pr'ythee pray Priam Prince Prince of Tyre Pros Queen revenge Rome Romeo Shakespeare shalt sleep soul speak sweet sword Tamora tears tell thee There's thine thou art thou dost thou hast Timon Titus Titus Andronicus tongue Troilus Tybalt Ulysses villain weep wife wilt word
Popular passages
Page 207 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Page 201 - What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have/ He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears.
Page 206 - Be not too tame, neither, but let your own discretion be your tutor; suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature; for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Page 374 - Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my where-about, And take the present horror from the time, Which now suits with it.
Page 202 - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Page 365 - This supernatural soliciting Cannot be ill, cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair And make my seated heart knock at my ribs, Against the use of nature...
Page 244 - Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate.
Page 382 - Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day ; And, with thy bloody and invisible hand, Cancel, and tear to pieces, that great bond Which keeps me pale ! — Light thickens ; and the crow Makes wing to the rooky wood ; Good things of day begin to droop and drowse ; Whiles night's black agents to their prey do rouse.
Page 218 - What is a man, If his chief good and market of his time Be but to sleep and feed ? a beast, no more. Sure, he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unused.
Page 202 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.