[On the 12th of July 1819 Keats wrote to Reynolds that he had "proceeded pretty well with 'Lamia', finishing the first part, which consists of about four hundred lines." He adds, "I have great hopes of success, because I make use of my judgment more deliberately than I yet have done; but in case of failure with the world, I shall find my content." Lord Houghton records, on the authority of Charles Armitage Brown, that Lamia "had been in hand some time", and that Keats wrote it "with great care, after much study of Dryden's versification." In August Keats wrote to Baily from Winchester mentioning the "half-finished" Lamia among recent work. On the 5th of September 1819 he wrote to Taylor that he had finished Lamia since finishing "the tragedy" (Otho the Great). The manuscript of Lamia consists of twenty-six leaves, foolscap folio, generally written upon one side only. It is a carefully written manuscript, finally revised for the press, and shows unmistakeable evidence of having been used for printer's copy. The extract from Burton does not figure in it; but there is the following foot-note on page 1:-" The ground work of this story will be found in Burton's 'Anatomy of Melancholy' Part 3. Sect. 3. Memb. 1st. Subs. 1st."-H. B. F.] LAMIA. PART I. UPON a time, before the faery broods Drove Nymph and Satyr from the prosperous woods, Sceptre, and mantle, clasp'd with dewy gem, From rushes green, and brakes, and cowslip'd lawns, His golden throne, bent warm on amorous theft : mantle. 5 ΤΟ 15 (4) The manuscript shows a cancelled reading, sandals for (15) Cancelled manuscript reading, And at whose feet. Fast by the springs where she to bathe was wont, 20 25 Fallen in jealous curls about his shoulders bare. From vale to vale, from wood to wood, he flew, Breathing upon the flowers his passion new, And wound with many a river to its head, To find where this sweet nymph prepar'd her secret bed: 30 In vain; the sweet nymph might nowhere be found, Pensive, and full of painful jealousies Of the Wood-Gods, and even the very trees. 35 "And love, and pleasure, and the ruddy strife 40 "Of hearts and lips! Ah, miserable me!" The God, dove-footed, glided silently Round bush and tree, soft-brushing, in his speed, 45 Bright, and cirque-couchant in a dusky brake. She was a gordian shape of dazzling hue, Vermilion-spotted, golden, green, and blue; Her head was serpent, but ah, bitter-sweet! 50 55 She had a woman's mouth with all its pearls complete: 60 But Her throat was serpent, but the words she spake 65 "Fair Hermes, crown'd with feathers, fluttering light, "I had a splendid dream of thee last night : "I saw thee sitting, on a throne of gold, "Among the Gods, upon Olympus old, 70 (48) Originally, Cerulean-spotted. Hunt says of this passage (see Appendix)—"The admiration, pity, and horror, to be excited by humanity in a brute shape, were never perhaps called upon by a greater mixture of beauty and deformity than in the picture of this creature. Our pity and suspicions are begged by the first word : the profuse and vital beauties with which she is covered seem proportioned to her misery and natural rights; and lest we should lose sight of them in this gorgeousness, the 'woman's mouth' fills us at once with shuddering and compassion." (69) The manuscript reads silver for splendid. |