Counterpoint: A Practical Course of Study

1st or Unison 5th or 8th accented applied appoggiatura approached by leap arpeggio augmented bad effect bass note bass-note Berkeley Berkeley chromatic scale chromatic semitone Church modes combination common chord concord consecutive contrapuntal contrary motion crotchet described in Sect diminished 5th diminished triad dominant Double Counterpoint elemental note false relation Fifth Species figure fixed song florid forms of Cadence Fourth Species full close harmony-note inverted root key-note last inversion leading-note major 3rd major form major or minor Major tone mediant melody minor form minor key minor tone models of Exercises modes moving-notes note against note note of resolution passing-note perfect 5th perfect interval proceed resolved rule in Sect second inversion second note Second Species semibreves similar motion sounded Species of Counterpoint Species Sect subdominant Subject submediant supertonic suspended 4th suspended discord syncopation tetrachord Third Species three-part Counterpoint tonic Triple Counterpoint two-part Counterpoint unavailable undesirable upper written