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" No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,... "
English Men of Letters - Page 41
edited by - 1894
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Blackwood's Magazine, Volume 90

England - 1861 - 814 pages
...trial, can conceive of the difficulty of writing a fiction about a country where there is no shadow, no mystery, no picturesque and gloomy wrong, nor anything...commonplace prosperity in broad and simple daylight. He chose Italy, he says, as the site of his fancied creation, because it afforded a sort of poetic...
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The Marble Faun: Or, the Romance of Monte Beni

Nathaniel Hawthorne - Americans - 1860 - 320 pages
...where actualities would not be so terribly insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty...daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance-writers may find congenial and easily handled themes,...
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The Marble Faun: Or, The Romance of Monte Beni, Volume 1

Nathaniel Hawthorne - Americans - 1860 - 316 pages
...where actualities would not be so terribly insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty...daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance-writers may find congenial and easily handled themes,...
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Macmillan's Magazine, Volume 90

David Masson, George Grove, John Morley, Mowbray Morris - English literature - 1904 - 600 pages
...without a trial can conceive," he says, apologising for the unpatriotic impulse which had led him abroad, "of the difficulty of writing a romance about a country...as is happily the case with my dear native land." But the flower of his fancy did not flourish except in its own bleak climate ; and THE MARBLE l'u'\...
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National Review, Volume 11

Great Britain - 1860 - 528 pages
...his latest work, Transformation, he reiterates as his excuse for laying the scene in Italy, that " no author without a trial can conceive of the difficulty...antiquity, no mystery, no picturesque and gloomy wrong, nor any thing but a commonplace prosperity in broad and simple daylight, as is happily the case with my...
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The National Review, Volume 11

Richard Holt Hutton, Walter Bagehot - Periodicals - 1860 - 528 pages
...his latest work, Transformation, he reiterates as his excuse for laying the scene in Italy, that " no author without a trial can conceive of the difficulty...antiquity, no mystery, no picturesque and gloomy wrong, nor any thing but a commonplace prosperity in broad and simple daylight, as is happily the case with my...
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The Cornhill Magazine

William Makepeace Thackeray - Electronic journals - 1904 - 872 pages
...Brook Farm experience, were passed, as he himself tells us, in a country where there were ' no shadows, no antiquity, no mystery, no picturesque and gloomy...commonplace prosperity in broad and simple daylight,' — in a town and a society which had and could have nothing — or almost nothing — of those special...
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Transformation: Or, The Romance of Monte Beni

Nathaniel Hawthorne - 1861 - 424 pages
...where actualities would not be so terribly insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty...daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance writers may find congenial and easily-handled themes...
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Blackwood's Edinburgh Magazine, Volume 90

Scotland - 1861 - 996 pages
...trial, can conceive of the difficulty of writing a fiction about a country where there is no shadow, no mystery, no picturesque and gloomy wrong, nor anything...commonplace prosperity in broad and simple daylight. He chose Italy, he says, as the site of his fancied creation, because it afforded a sort of poetic...
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Blackwood's Edinburgh Magazine, Volume 90

England - 1861 - 830 pages
...trial, can conceive of the difficulty of writing a fiction about a country where there is no shadow, no mystery, no picturesque and gloomy wrong, nor anything...commonplace prosperity in broad and simple daylight. He chose Italy, he says, as the site of his fancied creation, because it afforded a sort of poetic...
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