Elements of Elocution: In which the Principles of Reading and Speaking are Investigated |
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Page iii
... WHOLE ILLUSTRATED BY COPPER - PLATES , EXPLAINING THE NATURE OF • ACCENT , EMPHASIS , INFLEXION , AND CADENCE . The Second Edition , with Alterations and Additions . BY JOHN WALKER , Author of the CRITICAL PRONOUNCING DICTIONARY , & c ...
... WHOLE ILLUSTRATED BY COPPER - PLATES , EXPLAINING THE NATURE OF • ACCENT , EMPHASIS , INFLEXION , AND CADENCE . The Second Edition , with Alterations and Additions . BY JOHN WALKER , Author of the CRITICAL PRONOUNCING DICTIONARY , & c ...
Page xi
... whole labour was loft , and that I had been fatiguing myself with a diftinction which existed no where but in my imagination . None but those who have been fyftem makers , can judge of the re- gret and disappointment which this ...
... whole labour was loft , and that I had been fatiguing myself with a diftinction which existed no where but in my imagination . None but those who have been fyftem makers , can judge of the re- gret and disappointment which this ...
Page 3
... whole doctrine of rhetorical punctuation to a few plain fimple principles , which may enable the reader , in fome measure , to point for him- felf : for this purpose , it will , in the first place , be neceffary to exhibit a general ...
... whole doctrine of rhetorical punctuation to a few plain fimple principles , which may enable the reader , in fome measure , to point for him- felf : for this purpose , it will , in the first place , be neceffary to exhibit a general ...
Page 11
... whole doctrine of punctuation , which is , the length and shortnefs of the members and periods ; for when the phrafes are long , he fays , we point higher than when they are short . This confeffion is a fure proof , that the rules of ...
... whole doctrine of punctuation , which is , the length and shortnefs of the members and periods ; for when the phrafes are long , he fays , we point higher than when they are short . This confeffion is a fure proof , that the rules of ...
Page 13
... tually included in the idea of its being paft . Spectator , No. 590 . This punctuation of the fubftantive verb runs through our whole typography ; and fufficiently fhews the divifion which the ear invariably makes , when ELOCUTION . 13.
... tually included in the idea of its being paft . Spectator , No. 590 . This punctuation of the fubftantive verb runs through our whole typography ; and fufficiently fhews the divifion which the ear invariably makes , when ELOCUTION . 13.
Other editions - View all
Elements of Elocution: In Which the Principles of Reading and Speaking Are ... John Walker No preview available - 2020 |
Elements of Elocution: In Which the Principles of Reading and Speaking Are ... John Walker No preview available - 2015 |
Elements of Elocution: In Which the Principles of Reading and Speaking Are ... John Walker No preview available - 2017 |
Common terms and phrases
accent adopt almoſt anſwer antithefis arifes becauſe beſt cafe comma compofition confifts diftinction diftinguiſhed diſtance emphafis emphatic words example expreffed faid Fair Penitent falling inflexion fame fecond feems femicolon fenfe fenſe fentence feparated feries fhall find fhort fhould fhow fimilar fingle firft firſt flexion flide following fentence fome fomething fometimes force fpeaker fpeaking ftill ftrefs ftrong fubject fucceeding fuch fufficiently fuppofe fyllable greateſt harmony himſelf Ibid inflexion of voice inftance interrogative interrogative words itſelf juft laft laſt member lefs lower tone meaſure modified moft moſt muft muſt nature neceffarily neceffary neceffity obferved oppofition paffage paffion parentheſis paufe pauſe perfon phafis phatical pleaſure poffible preferve profe pronounced pronunciation purpoſe queftion reader reading reafon reft rifing inflexion Rule ſeems ſenſe Shakefp ſhall ſpeaking Spect tence thee thefe theſe words thofe thoſe thou tone of voice underſtand uſe variety verb verfe verſe
Popular passages
Page 365 - If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him. He hates our sacred nation, and he rails, Even there where merchants most do congregate, On me, my bargains, and my well-won thrift, Which he calls interest. Cursed be my tribe If I forgive him ! Bass.
Page 337 - ... in my imagination it is ! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chop-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. Prithee, Horatio, tell me one thing. Hor. What's that, my lord? Ham. Dost thou...
Page 329 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Page 341 - But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat, trimly...
Page 375 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers; shall we now Contaminate our fingers with base bribes? And sell the mighty space of our large...
Page 368 - If I do prove her haggard, Though that her jesses were my dear heart-strings, I'd whistle her off, and let her down the wind, To prey at fortune.
Page 337 - Alas ! poor Yorick. I knew him, Horatio ; a fellow of infinite jest, of most excellent fancy ; he hath borne me on his back a thousand times ; and now, how abhorred in my imagination it is ! my gorge rises at it. Here hung those lips that I have kissed I know not how oft.
Page 351 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me ; Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Btuffs out his vacant garments with his form : Then have I reason to be fond of grief.
Page 345 - By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection.
Page 332 - O my soul's joy ! If after every tempest come such calms, May the winds blow till they have waken'd death ! And let the labouring bark climb hills of seas, Olympus-high ; and duck again as low As hell's from heaven ! If it were now to die, 'Twere now to be most happy ; for, I fear, My soul hath her content so absolute, That not another comfort like to this Succeeds in unknown fate.