White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
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Page 129
Sadakichi Hartmann. solely accessories usurp the sensation of motion and nothing is gained . New arts : motion picture photography ( silent or with sound and color ) ; television ; motion color ( exploitation of radiant color by ...
Sadakichi Hartmann. solely accessories usurp the sensation of motion and nothing is gained . New arts : motion picture photography ( silent or with sound and color ) ; television ; motion color ( exploitation of radiant color by ...
Page 130
... motion picture comes nearest to the two conditions which are destined to be the main characteristics of all future art expression : being used on a principle of motion and de- pendent on a composite of efforts . It is the youngest in ...
... motion picture comes nearest to the two conditions which are destined to be the main characteristics of all future art expression : being used on a principle of motion and de- pendent on a composite of efforts . It is the youngest in ...
Page 134
... Motion Color , and I will call it so even if color music more readily meets with popular approval . Motion color needs a larger frame than a proscenium en- closed screen in a theater - some stage of vast dimensions as was used for ...
... Motion Color , and I will call it so even if color music more readily meets with popular approval . Motion color needs a larger frame than a proscenium en- closed screen in a theater - some stage of vast dimensions as was used for ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
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accepted Alfred Stieglitz American art Art Critic artists beautiful become believe better Bohemia Boston Café century Christ dance dark developed dream emotions esthetic everything expression eyes Ezra Pound fashion fighting fin de siècle genius German ghosts Greenwich Village Guido Bruno H. L. Mencken human hundred Huneker idea ideal intellectual invention James Gibbons Huneker Japanese John Barrymore labor lecture light literary live look machine magazine Mallarmé masses matter mechanism mental mind modern moral motion color motion picture movement nation nature never painters painting Paris perfume philosopher photographic play poetry poets produce published race Renée Vivien Revolution Sadakichi Hartmann Schopenhauer sensation smile social society stars Stephane Mallarmé surely symbolism Symbolists things thousand tion Titian true turn UNIVERSITY OF MICHIGAN Walt Whitman Whistler White Chrysanthemums woman women wonderful writing wrote York young