White Chrysanthemums; Literary Fragments and Pronouncements |
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Page 34
One is what one feels . I have read Fichte enough for that . Thus , if contemporaries feel happy and satisfied — they are so ! They believe they are freer than in former ages . It is funnelled into them by humanistic editorials — and ...
One is what one feels . I have read Fichte enough for that . Thus , if contemporaries feel happy and satisfied — they are so ! They believe they are freer than in former ages . It is funnelled into them by humanistic editorials — and ...
Page 64
He doesn't think , he feels . And so he usually knows what's coming . That is why art was beginning to get jumpy back in 1900. The artists felt the great unrest . They feel it still and are groping for the next thing .
He doesn't think , he feels . And so he usually knows what's coming . That is why art was beginning to get jumpy back in 1900. The artists felt the great unrest . They feel it still and are groping for the next thing .
Page 160
For a priori is only one sensation ; the feeling or realization " Here I am and there is something outside of me . " The rest is a posteriori . A long stretch of pleasantly running consciousness with no punctures .
For a priori is only one sensation ; the feeling or realization " Here I am and there is something outside of me . " The rest is a posteriori . A long stretch of pleasantly running consciousness with no punctures .
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Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
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accepted action American appears artists beautiful become believe better century color coming continue critic dance dark developed doubt entire esthetic everything existence experience expression eyes fashion feel fighting figure followed force frequently genius German give grow hand Hartmann human hundred idea ideal individual interests invention Japanese John labor lecture less light literary live look machine masses material matter means mechanism MICHIGAN mind moral motion move movement nature never once original painters painting Paris perfect perform picture play poets practical produce published race remain Sadakichi social society stage stand stars surely things thought thousand tion true turn universal Whitman woman women wonderful writing wrote York young
Bibliographic information
| Title | White Chrysanthemums; Literary Fragments and Pronouncements |
| Author | Sadakichi Hartmann |
| Publisher | Herder and Herder, 1971 |
| Original from | the University of Michigan |
| Digitized | 9 Dec 2006 |
| Length | 163 pages |
| Export Citation | BiBTeX EndNote RefMan |