White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
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Page 18
... esthetic data had the glitter of semi - precious stones , still he was pre - eminently a critic , and scientific eulogies of Victor Hugo should not be allowed to pass as esthetic philosophy . Guyeau's sentences flow cool and even like ...
... esthetic data had the glitter of semi - precious stones , still he was pre - eminently a critic , and scientific eulogies of Victor Hugo should not be allowed to pass as esthetic philosophy . Guyeau's sentences flow cool and even like ...
Page 127
... d'arts is highly esthetic . It may go with the increasing neglect of home com- fort , yet who likes to stay in an empty room ? It is pseudo esthetics , mental graftings , not genuinely felt . Another 127 THE WITCHES ' CAULDRON.
... d'arts is highly esthetic . It may go with the increasing neglect of home com- fort , yet who likes to stay in an empty room ? It is pseudo esthetics , mental graftings , not genuinely felt . Another 127 THE WITCHES ' CAULDRON.
Page 161
... esthetic offense , nothing short of assassination in cold blood . To feel something like tears in your heart while it rains on the town may be like some Lethean draught to put your mind into a curious and exalted mood , but it does not ...
... esthetic offense , nothing short of assassination in cold blood . To feel something like tears in your heart while it rains on the town may be like some Lethean draught to put your mind into a curious and exalted mood , but it does not ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
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accepted Alfred Stieglitz American art Art Critic artists beautiful become believe better Bohemia Boston Café century Christ dance dark developed dream emotions esthetic everything expression eyes Ezra Pound fashion fighting fin de siècle genius German ghosts Greenwich Village Guido Bruno H. L. Mencken human hundred Huneker idea ideal intellectual invention James Gibbons Huneker Japanese John Barrymore labor lecture light literary live look machine magazine Mallarmé masses matter mechanism mental mind modern moral motion color motion picture movement nation nature never painters painting Paris perfume philosopher photographic play poetry poets produce published race Renée Vivien Revolution Sadakichi Hartmann Schopenhauer sensation smile social society stars Stephane Mallarmé surely symbolism Symbolists things thousand tion Titian true turn UNIVERSITY OF MICHIGAN Walt Whitman Whistler White Chrysanthemums woman women wonderful writing wrote York young