White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
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Page ix
... critic , he was the most astute of his time in America , and spotted the right people , from Winslow Homer and Ryder to Marin , Maurer , and Weber , long before anybody else . Long before Stieglitz , Sadakichi was talking about ...
... critic , he was the most astute of his time in America , and spotted the right people , from Winslow Homer and Ryder to Marin , Maurer , and Weber , long before anybody else . Long before Stieglitz , Sadakichi was talking about ...
Page x
Sadakichi Hartmann. old age , is startling . As an art critic , Sadakichi was a disciple of Meier - Graefe , the man who established post - impressionist painters internationally . As a literary critic , mostly of Georg Brandes and Jules ...
Sadakichi Hartmann. old age , is startling . As an art critic , Sadakichi was a disciple of Meier - Graefe , the man who established post - impressionist painters internationally . As a literary critic , mostly of Georg Brandes and Jules ...
Page xxi
... critics of his period , Hartmann's reputa- tion as a critic reached its peak shortly before World War I. He was heavily in demand as a lecturer and judge at art shows and photographic exhibitions . He had finally achieved a mea- sure of ...
... critics of his period , Hartmann's reputa- tion as a critic reached its peak shortly before World War I. He was heavily in demand as a lecturer and judge at art shows and photographic exhibitions . He had finally achieved a mea- sure of ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
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accepted Alfred Stieglitz American art Art Critic artists beautiful become believe better Bohemia Boston Café century Christ dance dark developed dream emotions esthetic everything expression eyes Ezra Pound fashion fighting fin de siècle genius German ghosts Greenwich Village Guido Bruno H. L. Mencken human hundred Huneker idea ideal intellectual invention James Gibbons Huneker Japanese John Barrymore labor lecture light literary live look machine magazine Mallarmé masses matter mechanism mental mind modern moral motion color motion picture movement nation nature never painters painting Paris perfume philosopher photographic play poetry poets produce published race Renée Vivien Revolution Sadakichi Hartmann Schopenhauer sensation smile social society stars Stephane Mallarmé surely symbolism Symbolists things thousand tion Titian true turn UNIVERSITY OF MICHIGAN Walt Whitman Whistler White Chrysanthemums woman women wonderful writing wrote York young