The Art of Drama |
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Page 98
... whole is made up of perfectly functioning , mutually adapted parts , the whole being something that , exceeding the mere sum of the parts , has an identity of its own . Such unity means that a single alteration in any word changes not ...
... whole is made up of perfectly functioning , mutually adapted parts , the whole being something that , exceeding the mere sum of the parts , has an identity of its own . Such unity means that a single alteration in any word changes not ...
Page 99
... whole work . Factitious art can easily have the latter kind of unified design , whilst fragments can be of genuine poetic texture though not elaborated into a whole . One or two poems and a number of fragments give evidence enough to ...
... whole work . Factitious art can easily have the latter kind of unified design , whilst fragments can be of genuine poetic texture though not elaborated into a whole . One or two poems and a number of fragments give evidence enough to ...
Page 217
... whole , are all of them in some way symbols radi- ating their power through all the details of the imagery and creating a unified pattern of metaphor and symbol . Moreover , only such a sense of a metaphorical whole enables drama to ...
... whole , are all of them in some way symbols radi- ating their power through all the details of the imagery and creating a unified pattern of metaphor and symbol . Moreover , only such a sense of a metaphorical whole enables drama to ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words