The Art of Drama |
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Page 30
... vision " in a medium . " This vision does not hold the total possible visuality of objects . It develops some aspect of them and so becomes independent and " creative " . It is a process of mental faculties elaborating a certain kind of ...
... vision " in a medium . " This vision does not hold the total possible visuality of objects . It develops some aspect of them and so becomes independent and " creative " . It is a process of mental faculties elaborating a certain kind of ...
Page 188
... vision that is his and no one else's , for this he varies the form of drama , but without dissolving its initial conditions . Thus we are always aware of two aspects of expressiveness in drama . There is the primary layer of illusion ...
... vision that is his and no one else's , for this he varies the form of drama , but without dissolving its initial conditions . Thus we are always aware of two aspects of expressiveness in drama . There is the primary layer of illusion ...
Page 194
... vision being expressed and does not , aesthetically speaking , exist separately . All plot - making , in fine dramatic art , is a manipulation of meaning ; and plot and persons go hand in hand in this respect . Which persons , which ...
... vision being expressed and does not , aesthetically speaking , exist separately . All plot - making , in fine dramatic art , is a manipulation of meaning ; and plot and persons go hand in hand in this respect . Which persons , which ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words