The Art of Drama |
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Page 224
... verse in drama . The first is that there is of course a reciprocal influence of each on the other . What was said earlier about the speech of drama applies also to verse in drama ; it is dramatic if it is organi- cally linked with a ...
... verse in drama . The first is that there is of course a reciprocal influence of each on the other . What was said earlier about the speech of drama applies also to verse in drama ; it is dramatic if it is organi- cally linked with a ...
Page 225
... verse . The play in verse , by contrast , however much violent action it retains ( we think of the Eliza- bethans ) , contains principally an inner drama of feeling and motive in morally and spiritually sensitive persons and develops it ...
... verse . The play in verse , by contrast , however much violent action it retains ( we think of the Eliza- bethans ) , contains principally an inner drama of feeling and motive in morally and spiritually sensitive persons and develops it ...
Page 229
... verse - drama in some respects it pays a price in the restriction of the actor's art ; in verse - drama the complexity of all the imagery is more naturally and uniformly balanced . iii . VERSE AND COMEDY In our general statement about verse ...
... verse - drama in some respects it pays a price in the restriction of the actor's art ; in verse - drama the complexity of all the imagery is more naturally and uniformly balanced . iii . VERSE AND COMEDY In our general statement about verse ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words