The Art of Drama |
From inside the book
Results 1-3 of 24
Page 81
... varied . But on the other hand the effect of the imagination , in its relation to experience , is to cross - refer ... varied realizations must be " of " something ; something must be realized and something varied . We can willingly ...
... varied . But on the other hand the effect of the imagination , in its relation to experience , is to cross - refer ... varied realizations must be " of " something ; something must be realized and something varied . We can willingly ...
Page 159
... varied arsenal of delights lures us perennially to the theatre and it is a poor play indeed that does not offer one or the other . Some of them constitute a snare , as purists always point out , since the superficial sensuous ...
... varied arsenal of delights lures us perennially to the theatre and it is a poor play indeed that does not offer one or the other . Some of them constitute a snare , as purists always point out , since the superficial sensuous ...
Page 203
... VARIED TREATMENT OF THE PERSON - IMAGE We have not yet mentioned a large field of drama , besides comedy , in which ... VARIED TREATMENT OF THE PERSON - IMAGE Plot considered as imagery xii Persons considered Varied treatment of the ...
... VARIED TREATMENT OF THE PERSON - IMAGE We have not yet mentioned a large field of drama , besides comedy , in which ... VARIED TREATMENT OF THE PERSON - IMAGE Plot considered as imagery xii Persons considered Varied treatment of the ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words