The Art of Drama |
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Page 7
... things at the expense of others , some of us more susceptible to shape , others to colour , and so on . The agreed ... things " actually " look like so difficult . Normally , what we actually see is a mass of approximately perceived or ...
... things at the expense of others , some of us more susceptible to shape , others to colour , and so on . The agreed ... things " actually " look like so difficult . Normally , what we actually see is a mass of approximately perceived or ...
Page 18
... things . First , the process of represent- ing is an evocation ; we see things only by means of words . A des- cription of a person or scene in a poem or novel works with the images one can summon up in the imagination , and though ...
... things . First , the process of represent- ing is an evocation ; we see things only by means of words . A des- cription of a person or scene in a poem or novel works with the images one can summon up in the imagination , and though ...
Page 70
... things we want to do . So the basis of experience always implies a particular person , acting and re - acting in a particular way , being moved or excited by things and events . But in the sensitive person it always implies also thought ...
... things we want to do . So the basis of experience always implies a particular person , acting and re - acting in a particular way , being moved or excited by things and events . But in the sensitive person it always implies also thought ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words