The Art of Drama |
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Page 6
... speak of what a thing " actually " looks like . Can this be reproduced in a drawing ? And is such a drawing “ art ” ? In order to have a point of reference I shall use the notion of " naive realism " , assuming a commonsense world by ...
... speak of what a thing " actually " looks like . Can this be reproduced in a drawing ? And is such a drawing “ art ” ? In order to have a point of reference I shall use the notion of " naive realism " , assuming a commonsense world by ...
Page 101
... speaking ' , which implies some degree of genuine dramatic amplification or at least resemblance to the speaking of drama . Poetry preserves still in itself , even if but little read aloud or recited , the impulsion towards utterance by ...
... speaking ' , which implies some degree of genuine dramatic amplification or at least resemblance to the speaking of drama . Poetry preserves still in itself , even if but little read aloud or recited , the impulsion towards utterance by ...
Page 109
... speak of Rowlandson's comedy , or Delacroix's dramatic force , or use the term ' high comedy ' of the dramatist Congreve and the novelist Henry James , or speak of an epic film or symphony , and so on . In the same sense parts of any ...
... speak of Rowlandson's comedy , or Delacroix's dramatic force , or use the term ' high comedy ' of the dramatist Congreve and the novelist Henry James , or speak of an epic film or symphony , and so on . In the same sense parts of any ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words