The Art of Drama |
From inside the book
Results 1-3 of 49
Page 39
... rhythm we have to set externally perceived rhythm , in which different kinds of sensation are correlated . This is always the case in art . Rhythm in poetry is both motory and auditory . But it is in itself an " abstracted " or non ...
... rhythm we have to set externally perceived rhythm , in which different kinds of sensation are correlated . This is always the case in art . Rhythm in poetry is both motory and auditory . But it is in itself an " abstracted " or non ...
Page 123
... rhythm or smooth its sound . The relation of voice music to feelings is the same in respect of poetry as of music itself . In both cases art is involved , not spontane- ous behaviour , which means that the " feeling " affected by the ...
... rhythm or smooth its sound . The relation of voice music to feelings is the same in respect of poetry as of music itself . In both cases art is involved , not spontane- ous behaviour , which means that the " feeling " affected by the ...
Page 131
... rhythm of nature to a rhythm of words . But , passing from brief passages to whole poems , the poem from which it is taken , The Lotos - Eaters , forms a single , elaborate unfolding of a vast lulling rhythm and bemusing sound sequence ...
... rhythm of nature to a rhythm of words . But , passing from brief passages to whole poems , the poem from which it is taken , The Lotos - Eaters , forms a single , elaborate unfolding of a vast lulling rhythm and bemusing sound sequence ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words