The Art of Drama |
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... relation to reality iv Representation , realism , and faulty art v Representation in literary art vi Representation in historical writing vii Representation in dramatic art viii Conclusion . III IMAGES AND FEELING i Art and feeling ii ...
... relation to reality iv Representation , realism , and faulty art v Representation in literary art vi Representation in historical writing vii Representation in dramatic art viii Conclusion . III IMAGES AND FEELING i Art and feeling ii ...
Page 2
... relation to poetry , in order to view the whole problem afresh , including the idea of music as the perfect art - form , from the point of view of the new principles of imagery . This section will explore the meaning of such notions as ...
... relation to poetry , in order to view the whole problem afresh , including the idea of music as the perfect art - form , from the point of view of the new principles of imagery . This section will explore the meaning of such notions as ...
Page 182
... relations , and what emerges in drama is not the relation of the individual to any god , or ideal , or idea , but the relation of the community to these things , because a play must always be a state- ment of relations between men ...
... relations , and what emerges in drama is not the relation of the individual to any god , or ideal , or idea , but the relation of the community to these things , because a play must always be a state- ment of relations between men ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words