The Art of Drama |
From inside the book
Results 1-3 of 47
Page 13
... reason that art often includes depiction and portraiture as part of its purpose . We have already mentioned , however , that varied motives , most of them passionate rather than rational or scientific , influence the making of art , so ...
... reason that art often includes depiction and portraiture as part of its purpose . We have already mentioned , however , that varied motives , most of them passionate rather than rational or scientific , influence the making of art , so ...
Page 96
... reason we are obliged to classify it as composite . The structure of such composite arts is governed by what we may call the principle of a characteristic composite imagery , or a characteristic intertexture of imagery , to use ...
... reason we are obliged to classify it as composite . The structure of such composite arts is governed by what we may call the principle of a characteristic composite imagery , or a characteristic intertexture of imagery , to use ...
Page 117
... reason , or generalized truth . The person and the image are individual ; reason is general . A great amount of prose exhibits this conflict . Originality of mind shows itself sometimes in the capacity to state general truths , which ...
... reason , or generalized truth . The person and the image are individual ; reason is general . A great amount of prose exhibits this conflict . Originality of mind shows itself sometimes in the capacity to state general truths , which ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words