The Art of Drama |
From inside the book
Results 1-3 of 34
Page 9
... possible mode of appearance . I think it must also be admitted that an exact representation of any one of the innumerable possible " appearances " of an apple , alone or in juxtaposition with other objects , as a matter of light ...
... possible mode of appearance . I think it must also be admitted that an exact representation of any one of the innumerable possible " appearances " of an apple , alone or in juxtaposition with other objects , as a matter of light ...
Page 30
... possible visuality of objects . It develops some aspect of them and so becomes independent and " creative " . It is a process of mental faculties elaborating a certain kind of context of thought , which has a focus and a unity , so that ...
... possible visuality of objects . It develops some aspect of them and so becomes independent and " creative " . It is a process of mental faculties elaborating a certain kind of context of thought , which has a focus and a unity , so that ...
Page 179
... possible as such , whatever philosophy he may be declared to hold in the long run or whatever ideas influence his ... possible by an antecedent intuitive self- identification with many possible variations of human character . Drama ...
... possible as such , whatever philosophy he may be declared to hold in the long run or whatever ideas influence his ... possible by an antecedent intuitive self- identification with many possible variations of human character . Drama ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words