The Art of Drama |
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Page 11
... picture forms with pictorial co- herence and meaning . Not that there is one meaning only in the scene . Different minds or sensibilities , the same mind in different moods , or with changing attention , will see variations of the ...
... picture forms with pictorial co- herence and meaning . Not that there is one meaning only in the scene . Different minds or sensibilities , the same mind in different moods , or with changing attention , will see variations of the ...
Page 13
... picture of a landscape , but he also expresses his feelings . Visual interpretation , which we associate with the aesthetic type of imagery , is itself influenced profoundly by the feelings , which speak to us with great eloquence from ...
... picture of a landscape , but he also expresses his feelings . Visual interpretation , which we associate with the aesthetic type of imagery , is itself influenced profoundly by the feelings , which speak to us with great eloquence from ...
Page 107
... picture of life , of men , of nature , strikes us first and it is only afterwards that we disengage the personal and symbolic quality of the picture . We know that all seeing is interpretative and affective , yielding images that are ...
... picture of life , of men , of nature , strikes us first and it is only afterwards that we disengage the personal and symbolic quality of the picture . We know that all seeing is interpretative and affective , yielding images that are ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words