The Art of Drama |
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Page 11
... mind a picture forms with pictorial co- herence and meaning . Not that there is one meaning only in the scene . Different minds or sensibilities , the same mind in different moods , or with changing attention , will see variations of ...
... mind a picture forms with pictorial co- herence and meaning . Not that there is one meaning only in the scene . Different minds or sensibilities , the same mind in different moods , or with changing attention , will see variations of ...
Page 57
... mind interprets in poetry , that is , in a medium of words , what it observes , it may quite naturally use any of ... mind which is a reward requiring no supplementary material re- ward . There is still in the mind a fresh impression of ...
... mind interprets in poetry , that is , in a medium of words , what it observes , it may quite naturally use any of ... mind which is a reward requiring no supplementary material re- ward . There is still in the mind a fresh impression of ...
Page 79
... mind in order to let the poem make its own chaste effect in this way belongs to reading and is very properly ... mind an innocent blank , and one cannot in fact do anything at any given moment in one's life but use the mind one has ...
... mind in order to let the poem make its own chaste effect in this way belongs to reading and is very properly ... mind an innocent blank , and one cannot in fact do anything at any given moment in one's life but use the mind one has ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words