The Art of Drama |
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Page 101
... lyric and epic poetry , whilst on the other both epic and lyric were originally not " literary ” but sung or declaimed ; they too depended on a ' person speaking ' , which implies some degree of genuine dramatic amplification or at ...
... lyric and epic poetry , whilst on the other both epic and lyric were originally not " literary ” but sung or declaimed ; they too depended on a ' person speaking ' , which implies some degree of genuine dramatic amplification or at ...
Page 104
... lyric poetry , but the developments in literary art , especially of prose and narrative forms , make this necessary . A declaimed epic in verse , with long passages of dialogue , a feature common in all epic poetry , was still close ...
... lyric poetry , but the developments in literary art , especially of prose and narrative forms , make this necessary . A declaimed epic in verse , with long passages of dialogue , a feature common in all epic poetry , was still close ...
Page 105
... lyric meditation inseparable from fragments of first - person story or dramatization . Moreover , by far the greater part of what we invariably call " lyric " poetry is not the simple expression of feeling , which the term in its strict ...
... lyric meditation inseparable from fragments of first - person story or dramatization . Moreover , by far the greater part of what we invariably call " lyric " poetry is not the simple expression of feeling , which the term in its strict ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words