The Art of Drama |
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Page 163
... force of a personality , from the inter- action of events and people ; and where this interaction appears most striking , where man seems to be the plaything of forces quite beyond his control , the notion of destiny becomes most ...
... force of a personality , from the inter- action of events and people ; and where this interaction appears most striking , where man seems to be the plaything of forces quite beyond his control , the notion of destiny becomes most ...
Page 164
... force of this point about meaning in drama may be gathered from the effect created by over - statement . Meaning very deliberately pointed produces the effect we call theatrical . What constitutes legitimate emphasis , and what impairs ...
... force of this point about meaning in drama may be gathered from the effect created by over - statement . Meaning very deliberately pointed produces the effect we call theatrical . What constitutes legitimate emphasis , and what impairs ...
Page 226
... force of stark simplicity when it occurs , as in : Ripeness is all . Changes in intensity are not to be confused with faulty complexity ; which is evident when the ex- pression is inappropriate or superfluously ornate , as in the ...
... force of stark simplicity when it occurs , as in : Ripeness is all . Changes in intensity are not to be confused with faulty complexity ; which is evident when the ex- pression is inappropriate or superfluously ornate , as in the ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words