The Art of Drama |
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... DRAMA - i Drama and the theory of imagery ii Variety of dramatic forms iii The idea of " the dramatic " iv Speech and dialogue of drama v Maladjusted dialogue and acting : independent effectiveness of the actor vi Stylizations of dramatic ...
... DRAMA - i Drama and the theory of imagery ii Variety of dramatic forms iii The idea of " the dramatic " iv Speech and dialogue of drama v Maladjusted dialogue and acting : independent effectiveness of the actor vi Stylizations of dramatic ...
Page 224
... drama . The first is that there is of course a reciprocal influence of each on the other . What was said earlier about the speech of drama applies also to verse in drama ; it is dramatic if it is organi- cally linked with a dramatic ...
... drama . The first is that there is of course a reciprocal influence of each on the other . What was said earlier about the speech of drama applies also to verse in drama ; it is dramatic if it is organi- cally linked with a dramatic ...
Page 229
Richard F. Dietrich, William E. Carpenter, Kevin Kerrane. drama and opera , the vocal expressiveness attached in drama to words can be so intensified that song displaces words , song here being dramatic in character . For opera is the ...
Richard F. Dietrich, William E. Carpenter, Kevin Kerrane. drama and opera , the vocal expressiveness attached in drama to words can be so intensified that song displaces words , song here being dramatic in character . For opera is the ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words