The Art of Drama |
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Page 8
... detail . We go over and round the objects , isolating and inspecting their details one by one , marking off one small area and then another for attention , and eliminating accidental features . Examination by microscope , telescope , X ...
... detail . We go over and round the objects , isolating and inspecting their details one by one , marking off one small area and then another for attention , and eliminating accidental features . Examination by microscope , telescope , X ...
Page 97
... detail the development of drama from this basic paradigm . Arts like Lied , opera , and ballet achieve the composite structure which in the preceding example is natural by conjoining imageries otherwise separate . Thus dance , if ...
... detail the development of drama from this basic paradigm . Arts like Lied , opera , and ballet achieve the composite structure which in the preceding example is natural by conjoining imageries otherwise separate . Thus dance , if ...
Page 183
... detail and transparency in relation to human feelings and values , then the image contains the meditated idea , the fiction is the metaphor , the illusion is the symbol . The achievement of this perfect adjustment throughout a play is ...
... detail and transparency in relation to human feelings and values , then the image contains the meditated idea , the fiction is the metaphor , the illusion is the symbol . The achievement of this perfect adjustment throughout a play is ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words