The Art of Drama |
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Page 87
... create something " beautiful " and thus make a specific contribution to human life which would be added to the achievements of religion , morality , and philosophy , which were concerned with God and with the " good " and the " true ...
... create something " beautiful " and thus make a specific contribution to human life which would be added to the achievements of religion , morality , and philosophy , which were concerned with God and with the " good " and the " true ...
Page 123
... creating is not involved in experience but in creating images of experience . Style depends on the singer's or speaker's ability to re - create such images . Judgements about the reading of verse often suffer from a failure to ...
... creating is not involved in experience but in creating images of experience . Style depends on the singer's or speaker's ability to re - create such images . Judgements about the reading of verse often suffer from a failure to ...
Page 236
... created an expressive formula - imagery of an unconventional kind ; not verse , but a system of symbolic images " of ... creates myths . He uses 236 VARIOUS MODES OF POETRY IN DRAMA.
... created an expressive formula - imagery of an unconventional kind ; not verse , but a system of symbolic images " of ... creates myths . He uses 236 VARIOUS MODES OF POETRY IN DRAMA.
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words