The Art of Drama |
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Page 9
... context of analytic seeing and scientific , or con- ceptual , truth . The latter belong to a context of aesthetic , or imaginal , seeing . They are both " constructions " in the sense that they are actively incorporated into processes ...
... context of analytic seeing and scientific , or con- ceptual , truth . The latter belong to a context of aesthetic , or imaginal , seeing . They are both " constructions " in the sense that they are actively incorporated into processes ...
Page 30
... context ; not a context of ordinary perception , nor simply of remembering or day - dreaming , but an aesthetic context . Such a context may be established in face of objects ; when this happens the observer , who has then become in ...
... context ; not a context of ordinary perception , nor simply of remembering or day - dreaming , but an aesthetic context . Such a context may be established in face of objects ; when this happens the observer , who has then become in ...
Page 53
... context of aesthetic idea . This means that the important thing about the art - image is not whether it is , in any exclusive sense , representational or expressive , but what it is , and how it functions , in its characteristic context ...
... context of aesthetic idea . This means that the important thing about the art - image is not whether it is , in any exclusive sense , representational or expressive , but what it is , and how it functions , in its characteristic context ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words