The Art of Drama |
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Page 29
... chapter , representational images , we observe that dialogue is ambivalent . On the one hand it is highly representational , being one aspect of persons , and persons in a play talk after the manner of people in real life . And on the ...
... chapter , representational images , we observe that dialogue is ambivalent . On the one hand it is highly representational , being one aspect of persons , and persons in a play talk after the manner of people in real life . And on the ...
Page 157
... CHAPTER TEN THE ART OF DRAMA l l l l l l l l l E i . DRAMA AND THE THEORY OF IMAGERY VERY ASPECT OF ART touched upon in these chapters may be illustrated from the form of drama . It is an art ; it is imagery for eye and ear and mind ...
... CHAPTER TEN THE ART OF DRAMA l l l l l l l l l E i . DRAMA AND THE THEORY OF IMAGERY VERY ASPECT OF ART touched upon in these chapters may be illustrated from the form of drama . It is an art ; it is imagery for eye and ear and mind ...
Page 248
... CHAPTER III Pages 32-50 1 The subject has been admirably expounded by Helmuth Plessner in Die Einheit der Sinne ( Bonn , 1923 ) . 2 For example the descending chords in the accompaniment of the aria ' The Saviour falleth low ' ; the ...
... CHAPTER III Pages 32-50 1 The subject has been admirably expounded by Helmuth Plessner in Die Einheit der Sinne ( Bonn , 1923 ) . 2 For example the descending chords in the accompaniment of the aria ' The Saviour falleth low ' ; the ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words