The Art of Drama |
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Page 79
... applies , though there is a point of view of the poet which differs from that of the reader , both to the making and to the contemplation of poems . A poem occupies a certain historical place in the life of the poet , and of course we ...
... applies , though there is a point of view of the poet which differs from that of the reader , both to the making and to the contemplation of poems . A poem occupies a certain historical place in the life of the poet , and of course we ...
Page 95
... applies to language which only becomes art through its image - aspects . For the general definition of art the kind of imagery used by any one art is unimportant so long as it is imagery . But clearly we need now , to supplement and ...
... applies to language which only becomes art through its image - aspects . For the general definition of art the kind of imagery used by any one art is unimportant so long as it is imagery . But clearly we need now , to supplement and ...
Page 229
... applies to drama in general , and to comedy no less than to romantic , historical , and didactic plays . Comedy calls perhaps for a comment not necessary in respect of the latter kinds , because firstly the tone of comedy is more ...
... applies to drama in general , and to comedy no less than to romantic , historical , and didactic plays . Comedy calls perhaps for a comment not necessary in respect of the latter kinds , because firstly the tone of comedy is more ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art action aesthetic analysis artist aspects auditory auditory imagery beauty chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images external factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture kinds of imagery language Les Parents Terribles literary art lyric lyric poetry Macbeth meaning medium metaphor moral myth naive realism nature non-representational Novalis objects observe painting particular passion pattern perception persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation song sound speech style symbolic symbolist theory things thought tion types unity verbal verse vision visual vivid whilst whole words