Introduction to the Study of English Literature |
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Page 80
... move in every man's blood . The mechanism of the universe seem- ed to him to go along quietly in terms of cause and effect , and hence no special recourse to miracles was after all necessary . Un- like the old philosophy which gave only ...
... move in every man's blood . The mechanism of the universe seem- ed to him to go along quietly in terms of cause and effect , and hence no special recourse to miracles was after all necessary . Un- like the old philosophy which gave only ...
Page 117
... move from the backgrounds to the poem so that a critical read- ing may be possible , and to move from the poem to the back- grounds so that they may be seen in a new way are but comple- mentary processes , and often the two movements go ...
... move from the backgrounds to the poem so that a critical read- ing may be possible , and to move from the poem to the back- grounds so that they may be seen in a new way are but comple- mentary processes , and often the two movements go ...
Page 180
... move to hasten Bing- ley's proposal of marriage to Jane only ends in his precipitate departure for London ; again , her over - anxiety to promote Lydia's marriage to Wickham promptly results in their elopement ; and Lady Catherine's ...
... move to hasten Bing- ley's proposal of marriage to Jane only ends in his precipitate departure for London ; again , her over - anxiety to promote Lydia's marriage to Wickham promptly results in their elopement ; and Lady Catherine's ...
Contents
THE MAKING OF LITERATURE AND THe | 3 |
THE ENGLISH LANGUAGE AND LITERATURE | 21 |
BACKGROUNDS CLASSICAL AND CHRISTIAN | 42 |
Copyright | |
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Introduction to the Study of English Literature Kodaganallur R. Srinivasa Iyengar,Prema Nandakumar No preview available - 2011 |
Common terms and phrases
action Aeschylus Aristotle artistic ballad Basil Willey beauty Book C. S. Lewis century character Christian civilisation classical Collective Unconscious creation creative critic D. H. Lawrence death Divine drama E. M. Forster earth elements emotion England English literature epic essay experience expression feeling fiction Greek Hamartia heart Heaven heroic Homer human humour imagination India inner intellectual language lines literary lyric matter meaning mediaeval metre Milton mind modern movement myths narrative nature novel novelist Oedipus Paradise Lost passions personality philosophy play plot poem poet poet's poetic poetry political prose psychic R. K. Narayan Rasa reader realise reality Renaissance rhyme rhythm Romantic Romanticism Samson satire says sense sensibility Shakespeare social society sonnet Sophocles soul speech spirit Sri Aurobindo story style sublime symbol symbolistic T. S. Eliot theme things thought tion tradition trochees truth ture unity verse vision whole words writing