Introduction to the Study of English Literature |
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Page 54
K. R. Srinivasa Iyengar, Prema Nandakumar. This takes us to the beginning of beginnings in the Book of Gene- sis : In the beginning God created the heaven and the earth . And the earth was without form , and void ; and darkness was upon ...
K. R. Srinivasa Iyengar, Prema Nandakumar. This takes us to the beginning of beginnings in the Book of Gene- sis : In the beginning God created the heaven and the earth . And the earth was without form , and void ; and darkness was upon ...
Page 135
... beginning is implied the end ; and the end implies a new beginning . The two Indian epics , the Ramayana and the Mahabharata , cannot be easily fitted into an Aristotelian framework of plot . Where is the principle of unity in these ...
... beginning is implied the end ; and the end implies a new beginning . The two Indian epics , the Ramayana and the Mahabharata , cannot be easily fitted into an Aristotelian framework of plot . Where is the principle of unity in these ...
Page 170
... beginning is implied the end : and the end illuminates the beginning . The ' form ' is important , for it is ' form ' that gives shapeliness and meaning to the ' raw - stuff ' of reality . Flaubert wrote in 1877 to Turgenev that Reality ...
... beginning is implied the end : and the end illuminates the beginning . The ' form ' is important , for it is ' form ' that gives shapeliness and meaning to the ' raw - stuff ' of reality . Flaubert wrote in 1877 to Turgenev that Reality ...
Contents
THE MAKING OF LITERATURE AND THe | 3 |
THE ENGLISH LANGUAGE AND LITERATURE | 21 |
BACKGROUNDS CLASSICAL AND CHRISTIAN | 42 |
Copyright | |
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Introduction to the Study of English Literature Kodaganallur R. Srinivasa Iyengar,Prema Nandakumar No preview available - 2011 |
Common terms and phrases
action Aeschylus Aristotle artistic ballad Basil Willey beauty Book C. S. Lewis century character Christian civilisation classical Collective Unconscious creation creative critic D. H. Lawrence death Divine drama E. M. Forster earth elements emotion England English literature epic essay experience expression feeling fiction Greek Hamartia heart Heaven heroic Homer human humour imagination India inner intellectual language lines literary lyric matter meaning mediaeval metre Milton mind modern movement myths narrative nature novel novelist Oedipus Paradise Lost passions personality philosophy play plot poem poet poet's poetic poetry political prose psychic R. K. Narayan Rasa reader realise reality Renaissance rhyme rhythm Romantic Romanticism Samson satire says sense sensibility Shakespeare social society sonnet Sophocles soul speech spirit Sri Aurobindo story style sublime symbol symbolistic T. S. Eliot theme things thought tion tradition trochees truth ture unity verse vision whole words writing