Poetaster, Issues 27-28 |
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Page v
Dedicated to the classical ideal , Jonson , we are told , stood unalterably ,
unquestioningly for its embodiment in the present , and censured the followers of
other gods because he believed those gods were false . But have we reached
the core ...
Dedicated to the classical ideal , Jonson , we are told , stood unalterably ,
unquestioningly for its embodiment in the present , and censured the followers of
other gods because he believed those gods were false . But have we reached
the core ...
Page xx
It regularly changes the conjunctive adverb then of 1616 to than , and pray thee
of 1616 to pry thee ; it makes a few absurd errors , such as changing gods , and
fiends ! of 1616 to gods , and friends ! ( 3. 4. 45 , 5. 3. 451 ) ; it has a number of ...
It regularly changes the conjunctive adverb then of 1616 to than , and pray thee
of 1616 to pry thee ; it makes a few absurd errors , such as changing gods , and
fiends ! of 1616 to gods , and friends ! ( 3. 4. 45 , 5. 3. 451 ) ; it has a number of ...
Page xxxiv
Thomson ( L. 1796 ) : A supper which he [ Augustus ] gave , commonly called the
Supper of the Twelve Gods , and at which the guests were all dressed in the habit
of Gods and Goddesses , and himself in that of Apollo , afforded subject of ...
Thomson ( L. 1796 ) : A supper which he [ Augustus ] gave , commonly called the
Supper of the Twelve Gods , and at which the guests were all dressed in the habit
of Gods and Goddesses , and himself in that of Apollo , afforded subject of ...
Page lv
At the banquet of the gods , he plays Momus , the god of reprehension ( 4. 5. 5-9 )
; is called minstrel and fiddler ( 4. 5. 81-3 ) ; sings with Crispinus again ( 4. 5. 190
ff . ) . Fleay queries ( Chr . 1. 368 ) : ' Hermogenes is a musician , but not a poet ...
At the banquet of the gods , he plays Momus , the god of reprehension ( 4. 5. 5-9 )
; is called minstrel and fiddler ( 4. 5. 81-3 ) ; sings with Crispinus again ( 4. 5. 190
ff . ) . Fleay queries ( Chr . 1. 368 ) : ' Hermogenes is a musician , but not a poet ...
Page lxx
It will be noticed that every one of these strokes of portraiture is authorized by
history or tradition concerning the real Ovid , excepting as relates to the banquet
of the gods , which was imitated from Homer and does not affect our
consideration .
It will be noticed that every one of these strokes of portraiture is authorized by
history or tradition concerning the real Ovid , excepting as relates to the banquet
of the gods , which was imitated from Homer and does not affect our
consideration .
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Common terms and phrases
allusion appears Arch beare become begins better CAESAR called Captaine character Chlo Chloe court Cris Crispinus death Dekker edition Elizabethan English Enter Epigram faire Fleay folio Fortune GALL Gifford giue gives gods hand hath haue head heare Histrio hold HORA Horace Humour I'le Jonson known ladie lines London looke loue Marston maſter means mind Minos muſt Ovid passage passim person play players poet Poetaster Pray present printed probably quarto reference represents Revels Roman satire Satiromastix says scene seems sense Shakespeare ſhall ſhould side Small speech stage ſuch ſweet tell thee theſe thing thinke thou thought TiBv translation true Tucca Tvcc Virgil vpon wife writes
Popular passages
Page xc - O that Ben Jonson is a pestilent fellow, he brought up Horace giving the Poets a pill, but our fellow Shakespeare hath given him a purge that made him bewray his credit.
Page cii - Lastly, I would inform you, that this book, in all numbers, is not the same with that which was acted on the public stage ; wherein a second pen had good share...
Page 223 - Jonson) is a great lover and praiser of himself ; a contemner and scorner of others ; given rather to lose a friend than a jest ; jealous of every word and action of those about him (especially after drink, which is one of the elements in which he liveth...
Page 216 - ... it. In his works you find little to retrench or alter. Wit, and language, and humour, also in some measure, we had before him ; but something of art was wanting to the drama, till he came. He managed his strength to more advantage than any who preceded him. You seldom find him making love in any of his scenes, or endeavouring to move the passions ; his genius was too sullen and saturnine to do it gracefully, especially when he 'knew he came after those who had performed both to such a height.
Page xliii - He had many quarrells with Marston, beat him, and took his pistol from him, wrote his Poetaster on him; the beginning of them were, that Marston represented him in the stage, in his youth given to venerie.
Page 281 - A New Study of his Life and Writings. CAROLINE LOUISA WHITE, Ph.D. $1.50. III. The Life of St. Cecilia, from MS. Ashmole 43 and MS. Cotton Tiberius E. VII, with Introduction, Variants, and Glossary. BERTHA ELLEN LOVEWELL, Ph.D. $1.00. IV. Dryden's Dramatic Theory and Practice. MARGARET SHERWOOD, Ph.D.
Page 236 - There is still another place, built in the form of a theatre, which serves for the baiting of bulls and bears; they are fastened behind, and then worried by great English bull-dogs, but not without great risk to the dogs, from the horns of the one and the teeth of the other; and it sometimes happens that they are killed upon the spot; fresh ones are immediately supplied in the places of those that are wounded or tired.
Page xxxv - ... either to gaine or keep. Vindicative, but if he be well answered, at himself, for any religion as being versed in both, interpreteth best sayings and deeds often to the worst: oppressed with fantasie, which hath ever mastered his reason, a generall disease in many poets. his inventions are smooth and easie, but above all he excelleth in a translation.
Page xc - It is said of the incomparable Virgil, that he brought forth his verses like a bear, and after formed them with licking.
Page 160 - Roger, thou know'st the length of my foot; as it is none of the biggest, so I thank God, it is handsome enough; prithee, let me have a pair of shoes made, cork, good Roger, wooden heel too.
Bibliographic information
| Title | Poetaster, Issues 27-28 Microbook library of English literature Poetaster, Herbert Samuel Mallory Poetaster, Ben Jonson Issue 27 of Yale studies in English |
| Author | Ben Jonson |
| Editor | Herbert Samuel Mallory |
| Contributor | Herbert Samuel Mallory |
| Publisher | H. Holt, 1905 |
| Original from | Harvard University |
| Digitized | 13 Feb 2006 |
| Length | 282 pages |
| Export Citation | BiBTeX EndNote RefMan |