Poetaster, Issues 27-28 |
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Page xvii
... Gifford , was published in 1816 ; new edition , 1846. Another edition of Gifford , 3 vols . , was produced by F. Cunningham in 1871 ; this was reissued in 9 vols . , in 1875. In 1838 appeared a one - volume edition of Jonson's Works ...
... Gifford , was published in 1816 ; new edition , 1846. Another edition of Gifford , 3 vols . , was produced by F. Cunningham in 1871 ; this was reissued in 9 vols . , in 1875. In 1838 appeared a one - volume edition of Jonson's Works ...
Page xxi
... Gifford might be called licentious in respect to its alterations of arrangements , diction , and metre . At the end of act 5 , he inserts the quarto address to the reader , which did not appear in folio ; he Introduction xxi.
... Gifford might be called licentious in respect to its alterations of arrangements , diction , and metre . At the end of act 5 , he inserts the quarto address to the reader , which did not appear in folio ; he Introduction xxi.
Page xxii
... Gifford , like Whalley , changes Jonson's ' hem to ' em or them without consistence ; he usually , but not uniformly ... Gifford's notes are much more copious and important than Whalley's , notably in respect to classical sources of Jon ...
... Gifford , like Whalley , changes Jonson's ' hem to ' em or them without consistence ; he usually , but not uniformly ... Gifford's notes are much more copious and important than Whalley's , notably in respect to classical sources of Jon ...
Page xxiii
... Gifford's . The unpardonable liberties of Gifford are avoided , though his arrangement of scenes is adhered to ; but the inclusion of quarto passages not printed in the early folios seems a new audacity . Only a few particular points ...
... Gifford's . The unpardonable liberties of Gifford are avoided , though his arrangement of scenes is adhered to ; but the inclusion of quarto passages not printed in the early folios seems a new audacity . Only a few particular points ...
Page xxxi
... Gifford and others have noted that the characterization of Hermogenes in the second scene of act 2 is merely an elaboration of Horace , Sat. 1. 3. 1–8 . 2. 2. 173-182 , 189-198 . Whalley was the first to note that the outline of ...
... Gifford and others have noted that the characterization of Hermogenes in the second scene of act 2 is merely an elaboration of Horace , Sat. 1. 3. 1–8 . 2. 2. 173-182 , 189-198 . Whalley was the first to note that the outline of ...
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actors Aesop ALBI Albius allusion Anaides appears Arch Ben Jonson beſt CAES CAESAR Captaine Chapman CHLO CHLOE CRIS Crispinus Cynthia's Revels CYTHERIS Dekker Demetrius drachme edition euery felfe fhall firſt flaue Fleay folio fome foule fuch fweet GALL Gallus GALLVS gentleman Gifford giue hath haue heauen Hedon HERMOGENES HIST Histrio Histriomastix HORA Horace Humour I'le IVLI IVPITER John Marston Jonson ladie leaue Lictors lines liue London loue Lupus LVPV Marston Maſter MINOS moſt muſt neuer OVID passage passim play players poet Poetaster Pray Pyrgus quarto Roman Samuel Daniel satire Satiromastix says scene seems Shakespeare ſhall ſhould Spanish Tragedy ſpirit stage Stage-Quarrel theatre thee theſe thou Tibullus TIBV TIBVLLVS translation Tucca Tvcc verso VIRG Virgil vpon Whalley wife word
Popular passages
Page xc - O that Ben Jonson is a pestilent fellow, he brought up Horace giving the Poets a pill, but our fellow Shakespeare hath given him a purge that made him bewray his credit.
Page cii - Lastly, I would inform you, that this book, in all numbers, is not the same with that which was acted on the public stage ; wherein a second pen had good share...
Page 223 - Jonson) is a great lover and praiser of himself ; a contemner and scorner of others ; given rather to lose a friend than a jest ; jealous of every word and action of those about him (especially after drink, which is one of the elements in which he liveth...
Page 216 - ... it. In his works you find little to retrench or alter. Wit, and language, and humour, also in some measure, we had before him ; but something of art was wanting to the drama, till he came. He managed his strength to more advantage than any who preceded him. You seldom find him making love in any of his scenes, or endeavouring to move the passions ; his genius was too sullen and saturnine to do it gracefully, especially when he 'knew he came after those who had performed both to such a height.
Page xliii - He had many quarrells with Marston, beat him, and took his pistol from him, wrote his Poetaster on him; the beginning of them were, that Marston represented him in the stage, in his youth given to venerie.
Page 281 - A New Study of his Life and Writings. CAROLINE LOUISA WHITE, Ph.D. $1.50. III. The Life of St. Cecilia, from MS. Ashmole 43 and MS. Cotton Tiberius E. VII, with Introduction, Variants, and Glossary. BERTHA ELLEN LOVEWELL, Ph.D. $1.00. IV. Dryden's Dramatic Theory and Practice. MARGARET SHERWOOD, Ph.D.
Page 236 - There is still another place, built in the form of a theatre, which serves for the baiting of bulls and bears; they are fastened behind, and then worried by great English bull-dogs, but not without great risk to the dogs, from the horns of the one and the teeth of the other; and it sometimes happens that they are killed upon the spot; fresh ones are immediately supplied in the places of those that are wounded or tired.
Page xxxv - ... either to gaine or keep. Vindicative, but if he be well answered, at himself, for any religion as being versed in both, interpreteth best sayings and deeds often to the worst: oppressed with fantasie, which hath ever mastered his reason, a generall disease in many poets. his inventions are smooth and easie, but above all he excelleth in a translation.
Page xc - It is said of the incomparable Virgil, that he brought forth his verses like a bear, and after formed them with licking.
Page 160 - Roger, thou know'st the length of my foot; as it is none of the biggest, so I thank God, it is handsome enough; prithee, let me have a pair of shoes made, cork, good Roger, wooden heel too.