171; 172; 177; his vocabulary, Farthingale, 160.
Crites, Ixi seq.
Criticus, lxi.
Custard, quaking, 232.
Cynthia's Revels, Jonson's, xxix-
xxx, xliv-v, 1, lxi seq., 145.
Cytheris, xlviii.
Daniel, John, lv-vi, lxxx.
Daniel, Samuel, xxiv, lv-vi, lxxx.
Darius, Wm. Alexander's, 192–3.
Darius, King, 191-3.
Davies, Thomas, lxxv-vi.
Day, Thomas, 240.
Dekker, Thomas, xxvii-viii;
Demetrius in Poetaster, xlviii
seq.; verses ascribed to him in
Poetaster, 116; his rapidity of
literary production, 142; his pov-
erty, 199-200; 200-1; 212; 226.
Delia, lxxiv, lxxxi.
Delia, Samuel Daniel's, lxxxi.
Deliro, xli.
Demetrius Fannius, identified with
Thomas Dekker, xlviii seq.; de-
scribed, xlix; his relation to
Anaides of Cynthia's Revels, 1
seq.; 142; 185; his poverty,
199-200; 212; 226.
Discoveries, Jonson's, xc.
Donne, John, lxx seq.
Drachma, 152.
Dryden on Jonson's love scenes, 216.
Dyce, Alexander, cited, xcviii, c.
Eastward Ho, by Jonson, Chapman,
and Marston, xciv-v, 196.
Elegiac poets, Roman, 149, 164.
Enghle, 166-7.
English Grammar, Jonson's, 145,
161, 210.
Envy as prologue, 141.
Fastidious Brisk, xliv-v, li.
Fellow-sharer, 195.
Ferret, 182.
Field, Nathaniel, 138, 193, 239-240.
Fight-an emendation, 205.
Flat-cap, 162-3.
Flaying, 205.
Fleay, F. G., cited, xlix-1, lii, lv seq.,
lxiii, lxv seq., lxx, lxxvi seq.,
lxxx-i, lxxxiii, xcviii.
Folio of 1616, xii seq., xviii seq.
Folio of 1640, xiv-v, xx.
Folio of 1692, xv-vi, xxi.
Forsooth,_207-8.
Fortune Theatre, lviii seq., lxxvi-
vii, 182-3.
Frisker, lxxvii seq.
Frogs, Aristophanes', xxxv-vi, 219.
Gallus, Č. Cornelius, liii-iv; as
provost of Egypt, 218.
Garland, poet's, 166.
Gentleman usher, 213.
Georgics, Virgil's, lxxxvi.
Ghosts in plays, 193 ff.
Gifford, William, his edition of
Jonson, xxi-ii; xxxv; xl; xlvii;
on Jonson's relations with Shake-
speare, lxxv; on identification of
Virgil, lxxxiv; on the Poetaster
translation of Ovid, Eleg. 1. 15,
xcvi seq.
Globe Theatre, lviii seq. 190-1.
Good year, 183-4.
Goose-fair, 185.
Grosart, A. B., lxvii, lxxii-iii.
Gull's Hornbook, Dekker's, 164,
Epigram, Unto true Soldiers, in Half-pike, 212.
Poetaster, 131-2.
Eryngo, 180.
Eulenspiegel, 185.
Every Man in his Humour, Jon-
son's, lxiii, lxxvii, lxxxix.
Every Man out of his Humour,
Jonson's, lxii-iii, lxxxix, 173.
Every Woman in her Humour, xli.
Hannam, Captain, lxxxiii-iv.
Hares' eyes, 184.
Hat, 177-8.
'Hay in his horn,' 210.
Head-dress, 170-1.
Hedon, xxvii-viii, xliii seq., 1, liii.
Hellebore, 227.
Henbane in the ears, 216.
Henry V and Henry VI, lxxxix.
Henslowe, Philip, alleged to be the
Histrio of Poetaster, lviii; lx-i; | Lawyers, 151.
Henslowe's Diary, 1, lxxviii,
Hermogenes, liv seq., 165.
Hesiod, 145-6.
Hieronimo of the Spanish Tragedy,
Jonson in the role of, 178-9, 185.
Hired men, wages of, 198.
Histrio, lvi seq., lx, 202-3.
Histriomastix (revised by Mars-
ton), xxv-vi, lx-i, lxxvi, 187, 198,
199.
Histriones, 147, 221.
Hobby-horse, 159.
Hood, 160.
Horace of Poetaster, described, lxi;
identified with Jonson, lxi seq.;
presented again in Satiromastix,
liii-iv, 167; defended in Poetas-
ter, 117-8; 214.
Horace, Sat. I. 9, xxxi-ii, 40-50;
Sat. 2. 1, xxxii-iii, 65-9; 167;
168; 169; 214.
Hostia, mistress of
of Propertius,
lxxix.
Hungry, Captain, 237.
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Jack Drum's Entertainment, Mars-
ton's, xxvi-vii, 224 ff.
Jonson, Ben, his classicism, v-vi;
his attitude toward his own time,
vi-vii; 'given to venerie,' xxv;
his translating, xxxv, ci seq.; his
satire of individuals, xxxviii seq.;
his arms, 162; his fortune, 154,
168; his son, 173-4; his friends,
175; as an actor, 178-9, 185; his
Humour plays, 188; his defense
of himself in Poetaster, 210-1;
as a man of the sword, 214-5;
his love-scenes, 216-7; his duel,
222; his appearance, 239; his
'Ode to Himself,' 239.
Julia, lxiv, lxix seq., lxxii seq., 240.
Kemp, William, lxxvii seq., 199.
Lampatho, liii, 169.
Law, the, 151.
Lee, Sidney, cited, lxxxiv, 144, 157,
187.
Lexiphanes, Lucian's, xxxvi-vii, 231.
Lictor, lxiv-v.
Lingua, 239.
Locrine, 194.
Lopez, Roderigo, lxvii.
Lotium, 179.
Love's Martyr, Chester's, xxviii.
Lownes, Matthew, 139.
Lucian, his Lexiphanes, xxxvi-vii,
231.
Lupus, lxv seq.
Luscus, lxviii.
Macilente, lxii-iii.
Maecenas, lxviii.
Magicians' circles, 216.
Malcontent, Marston's, xxviii, 164.
Mango, 199.
Marlowe, his translation of Ovid,
Eleg. 1. 15, xcvi seq., c-ci; his
version of Ovid's Elegies, xcvi
Marston, John, senior, xlvi; his
will, 147.
Marston, John, his stage-quarrel
with Jonson, xxiii seq.; satirized
by Jonson as Crispinus, xliii seq.;
how far represented by Carlo
Buffone, Fastidious Brisk, ог
Hedon, xliii seq., xlix seq.; his
gentility, xlv-vii, 169, 175, 186;
his style, xlvi seq.; his grossness,
xlvii; lx; his failure to take up
law, lxxii-iii; verses ascribed to
him as Crispinus, 115-6; called
Poetaster, 137; his personal pecu-
liarities satirized in Poetaster,
161, 164; his arms, 162;
education, 168; his vocabulary,
223 ff., 228-9, 231-2.
Marstonian words, 228-9, 231–2.
Martial, Epigr. 1. 57, paraphrased in
Poetaster, 37-8.
Martin, Richard, 139 ff.
Marton, Thomas, 240.
Masks, worn by men acting women's
parts, 157; worn by women in
public, 207.
Master of the Revels, 240–1.
Medea, Ovid's, lxx, 147-8.
Mercurius Gallo-Belgicus, 233.
Mercury in cosmetics, 211.
Military company, 186.
Milton, John, 194.
Minos, lxviii.
Molière, his satire compared with
Jonson's, vii.
Monday, Anthony, xxv-vi, 198-9.
Money, its purchasing power in
Elizabeth's time, 187.
Monkeys kept as pets, 208.
Monopolies, 221.
Moore, Anne, lxx seq.
Motion, a puppet-show, 199.
Mucedorus, Lodge's, 141.
Muff, 206.
Nicholson, Dr. Brinsley, his edition
of Jonson, xxii-iii.
'Not whether,' 204.
Numa in decimo nono, 155.
Nutcracker, 153.
O circumflex, 229.
Ostler, William, 240.
Othello, xciv-v.
Ovid's Banquet of Sense, Chap-
man's, xcii note, 213.
Ovid, Eleg. I. 15, translated in
Poetaster, 14-5; authorship of
this translation discussed, xcvi
seq.
Ovid, Marcus, lxviii.
Ovid, Publius, his life, lxviii-ix;
his relations with the daughter and
the granddaughter of Augustus,
Ixix; his banishment, lxix-lxx;
described in Poetaster, lxix-lxx;
alleged to represent John Donne,
Ixx seq.; points of similarity in
his life and John Marston's,
lxxii-iii; alleged to represent
Shakespeare, lxxiii; the Poetaster
translation of his Eleg. 1. 15, xcvi|
seq., 14-5, 145 ff.; his lineage,
145; his Medea, 147-8; his birth-
place, 154; as a lawyer, 156.
Owleglas, 185.
Pike, 211-2.
Pilcher, 178.
Plague, 173-4.
Plautia, lxxiv, 156.
Players, satirized
lxxiv seq., 61-2; patrons of, 203.
Plays, prices paid for, 187.
Pliny cited, 176, 180, 214, 227, 237.
Pod, Captain, lxxxiii.
Poetaster, Marston as the, 137.
Poetaster, its purpose and general
character, vii; date of its com-
position, xxviii seq.; its literary
sources, xxx seq.; discussion of
its characters, xxxviii seq.; origi-
nally called The Arraignment,
141; time taken to compose, 142;
its scene of action, 142-3.
Politician players, xl, 198-9.
Polyposus, lxviii, lxxix.
Posthaste, xxvi, lx-i.
Privy Council, its regulation of
playhouses, 188-9.
Prologue, 144.
Prologue armed, 144.
Propertius, S. Aurelius, lxxix, 150.
Puckfist, 215.
Puff-wings, 206.
Puppet-show, 199.
Pyrgus, lxxix, 178.
Pythagoreans, their silence, 211.
Satiromastix, Dekker's, xxiv, xxvii- | Tibullus, Albius, lxxiv, lxxx-i.
viii, xxx, xliii-iv, xlvi-vii, 1-liv,
lxxxiii, 142, 148, 151, 167, 171,
172, 185, 188, 190, 199, 200, 201,
202, 205, 214-5, 222, 234, 236.
Scarf, 197.
Scourge of Villainy, Marston's,
xlvii, 1, 224 ff.
Sejanus, Jonson's, 238.
Seneca, 195.
Shakespeare, alleged to be the His-
trio of Poetaster, lx-i; alleged to
be the Ovid of Poetaster, Ixxiii-
iv; discussion of his supposed
identity with Virgil of Poetaster,
lxxxiv seq.; his relations with
Jonson, lxxxix seq.; Jonson's
dicta concerning him; xc-xci;
his Ajax of Troilus and Cressida,
xci; probably not Virgil, xcv-vi.
Shares in theatres, 195, 202-3.
Shark, a, 188.
Shopkeepers' wives, 170.
Shot-clog, 148.
Siege of Rhodes, Davenant's, 143.
'Sight,' 205.
Silver, cloth of, 174.
Six and fifty, 153.
Skialetheia, Guilpin's, lxxxii.
Sling, 207.
Small, R. A., cited, xxiv seq.; xlvi-
vii, lii-iii, lviii-ix, lxiii, 228-9.
Soldiers, epigram to, 237.
Souls, three, 222.
Sounding, 140-1.
Spanish Tragedy, Kyd's, xciv-v,
186, 193, 195, 196, 200.
Spencer, Gabriel, 222.
'Spirit of arts,' 154.
Stage-plays, regulation of, 188-190.
Stage-properties, 141-3.
Stage-Quarrel, xxiii seq., 200–1.
Stansby, Wm., 139.
Staple of News, 150.
Timon (the University play), lv,
159, 161.
Tobacco, 237-8.
Tragedy, bombastic, ridiculed in
Poetaster, 59-60, 63.
Translating, Jonson's, xxxv, ci seq.,
118.
Translators of Jonson's time, xxxv.
Trap-door in stage, 141.
Trebatius, lxxxi.
Troilus and Cressida, xci, 144.
Tucca, Pantilius, Ixxxii seq.; a
stammerer, 152-3.
Tumbler, 153.
Twelfth Night, 148, 212.
Underwood, John, 240.
Ulenspiegel, 185.
Underwoods, Jonson's, xci.
Untrusser, xlix-l, lii-iii, 126, 235.
Vail, 182.
Van Dam, B. A. P., and Stoffel, C.,
xviii.
Velvet arms, 145.
Velvet-cap, 162-3, 209.
Via Sacra, 208.
Vindicta, 193 ff.
Viola da gamba, 209.
| Virgil, alleged to represent Shake-
speare or Chapman, lxxxiv seq.;
his style lxxxv-vi; his Georgics,
lxxxvi; his learning, lxxxvii seq.;
his Alexandrianism, lxxxvii; as
characterized in Poetaster, lxxxv
seq., 100-2; probably neither
Shakespeare nor Chapman, xcv-
vi; his Aeneid 4. 160-189, trans-
lated in Poetaster, 104-6, read to
Augustus, 218.
Wages, of boy-actors, 197; of hired
men, 198.
Whalley's Edition of Jonson, xxi.
Statute vs. vagabond players, 148-9, What You Will, Marston's, xlvii-
Strolling players, 148-9, 184-5, 187.
Stubbes, Philip, cited, 170, 177-8,
206, 207.
Suetonius. xxxiv-v.
Swallows before a storm, 217.
Theatres, London, in 1601, lix;
188-190.
viii, lii-iii, lxxii-iii, 147, 231-2.
Wolf, lxv seq.
Wily Beguiled, 225.
Wolfe, John, lxvi.
Wolfe, Reginald, lxvi.
Women's parts, 157-8.
Wood, Prof. Henry, Ix-i.
Words disgorged by Crispinus,
228-9, 231-2.
Zulziman, Jonson in the role of, 185.
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