Aging, Creativity and Art: A Positive Perspective on Late-Life DevelopmentAging, Creativity and Art: A Positive Perspective on Late-Life Development explores the strengths and opportunities of old age as these are manifested by the accomplishments of aging artists, late artistic works, and elderly arts audiences. The book draws on scholarship in the humanities, primarily in art history; examines mainly paintings and painters, both historical and contemporary; reviews empirical research on creativity and cognition, predominantly from psychology and gerontology; and presents the author's original studies, including surveys of art historians, questionnaires completed by aging artists and arts audiences, and experiments involving judgments of art by laypersons. The research presented in Aging, Creativity and Art: A Positive Perspective on Late-Life Development suggests that creativity continues into the later years; higher-order mental abilities related to creativity, like imagination and problem-solving, persist until late in life; and the elderly's physical, sensory, mental, and interpersonal competencies may be enhanced by engagement with the arts. This work interrelates the disciplines of science, the humanities, and the arts to form a synthesis that builds on the strengths of the methods of quantification of science; the emphasis on the individual in the humanities; and the expressive and intuitive modes of communication in the arts. Aging, Creativity and Art: A Positive Perspective on Late-Life Development critically examines the psychology of creativity, cognitive development, and gerontology, and will be of interest to a wide range of professionals and students in these fields. |
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Contents
The Case is Made LateLife | 1 |
Old Age and Old Artists | 23 |
Competing Views of LateLife Creativity | 43 |
Does Creativity Decline with Age? | 59 |
The Continuity Position | 71 |
LateLife Creativity Historical | 87 |
The Course of Creativity among Historical Artists | 103 |
Creative Productivity Gender and Individual Differences | 115 |
Describing Paintings in the OldAge Style | 193 |
Beyond the OldAge Style Old Art and Aging Artists | 211 |
Art and the Elderly | 223 |
Age Differences and the Arts | 243 |
Looking Ahead | 265 |
289 | |
309 | |
The Issues | 151 |
Other editions - View all
Aging, Creativity and Art: A Positive Perspective on Late-Life Development Martin Lindauer No preview available - 2012 |
Common terms and phrases
abilities abstract accounts achievements activities addition affected age groups aging artists approach areas art historians attendance attitudes average become better changes Chapter cognitive collections compared completed considered contemporary continued contributions critics death decades decline depending detail died discussed earlier early elderly empirical especially example exceptions experience explained expression feelings figures findings followed forms four Further greater growing historical humanities ideas included increased indicated individuals interest judges judgments kinds knowledge late late-life creativity later least Lehman less lives long-lived look losses major masterpieces materials matter mean occurred old artists old-age style older painters paintings pairs participants peaks periods physical positive possible problems productivity psychology questionnaire questions ratings reasons referred reflect relatively reported respectively responses sample scholars scientific scientists selected similar sources specific studies thinking viewers women writers young younger youthful