Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the PresentDaniel Fischlin, Mark Fortier Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the seventeenth century. This groundbreaking anthology brings together twelve theatrical adaptations of Shakespeares work from around the world and across the centuries. The plays include The Woman's Prize or the Tamer Tamed John Fletcher The History of King Lear Nahum Tate King Stephen: A Fragment of a Tragedy John Keats The Public (El P(blico) Federico Garcia Lorca The Resistible Rise of Arturo Ui Bertolt Brecht uMabatha Welcome Msomi Measure for Measure Charles Marowitz Hamletmachine Heiner Müller Lears Daughters The Womens Theatre Group & Elaine Feinstein Desdemona: A Play About a Handkerchief Paula Vogel This Islands Mine Philip Osment Harlem Duet Djanet Sears Each play is introduced by a concise, informative introduction with suggestions for further reading. The collection is prefaced by a detailed General Introduction, which offers an invaluable examination of issues related to |
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Page 6
... director Carmelo Bene's radical, avantgarde adaptation of Richard III, notes that Bene's adaptation does everything possible to disrupt and do away with Shakespeare's status as major author in a major literature, fragmenting and ...
... director Carmelo Bene's radical, avantgarde adaptation of Richard III, notes that Bene's adaptation does everything possible to disrupt and do away with Shakespeare's status as major author in a major literature, fragmenting and ...
Page 7
... the page and all others involved in a theatrical event. Theatre theorist Gerald Rabkin traces the plural 'authorship' of the theatrical performance: from author to director to performer to audience. 7 GENERAL INTRODUCTION.
... the page and all others involved in a theatrical event. Theatre theorist Gerald Rabkin traces the plural 'authorship' of the theatrical performance: from author to director to performer to audience. 7 GENERAL INTRODUCTION.
Page 8
... director to performer to audience and critics: 'we have in theatre two sets of readers – the theatre artists who traditionally “read,” interpret, the written text, and the audience who read the new theatrical text' (159). In ...
... director to performer to audience and critics: 'we have in theatre two sets of readers – the theatre artists who traditionally “read,” interpret, the written text, and the audience who read the new theatrical text' (159). In ...
Page 13
... directors to re-discover indigenous cultural forms via the revered Shakespearean canon.' Even as the Shakespeare ... director David McRuvie and the French actress–dancer Annette Leday, to adapt King Lear to the highly evolved formal ...
... directors to re-discover indigenous cultural forms via the revered Shakespearean canon.' Even as the Shakespeare ... director David McRuvie and the French actress–dancer Annette Leday, to adapt King Lear to the highly evolved formal ...
Page 17
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Contents
1 | |
The Womans Prize or The Tamer Tamed | 23 |
The History of King Lear | 66 |
A Dramatic Fragment | 97 |
The Public El público | 103 |
The Resistible Rise of Arturo Ui | 125 |
uMabatha | 164 |
Measure for Measure | 188 |
Hamletmachine | 208 |
Lears Daughters | 215 |
A Play About a Handkerchief | 233 |
This Islands Mine | 255 |
Harlem Duet | 285 |
Further Adaptations | 318 |
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Common terms and phrases
adaptation AMAH ANGELO Arturo BASTARD BHANGANE BIANCA BILLIE blood Brecht CANADA Cauliflower Cauliflower Trust CHARACTER IN BELLS CHARACTER IN VINE CLARK CLAUDIO CORDELIA cultural DEBBIE DESDEMONA DIRECTOR Djanet Sears DOGSBOROUGH door DUKE DULLFEET EDGAR EMILIA Enter ESCALUS Exeunt Exit eyes father FOOL friends GIRI give GIVOLA GLOSTER GONERIL Hamletmachine hand Harlem He’s hear Heaven Heiner Müller HOSHWENI ISABELLA JAQUES JODY Juliet KAMADONSELA KENT Khondo King King Lear kiss lady LEAR leave LIVIA look Lord LUCIO LUKE m’lady MABATHA MAFUDU MAGI MAKHIWANE man’s MARIA MARIANNE Marowitz MARTIN Mbathazeli Mdangazeli MISS ROSENBLUM MOROSO MURDERER NANNY never night NURSE O’CASEY OTHELLO Paula Vogel PEDRO PETRONIUS PETRUCHIO PROVOST REGAN ROMA ROWLAND SANGOMA Scene SELWYN Shakespeare Sheet SOPHOCLES speak stage STEPHEN tell theatre theatrical thee There’s thing thou TRANIO What’s WHITE HORSE who’s woman women you’re