Perspectives by Incongruity, Volume 2 |
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Page 161
... step by step , to believe in the extent of his sinister resources , before the fullest dramaturgic risks ( with correspondingly rich rewards ) are undertaken . Only now , presumably , the dramatist feels that he has prepared the ...
... step by step , to believe in the extent of his sinister resources , before the fullest dramaturgic risks ( with correspondingly rich rewards ) are undertaken . Only now , presumably , the dramatist feels that he has prepared the ...
Page 66
... step by step from the methods of classical music to the methods which he employs -and if we follow his gradients we are imperceptibly eased from a region of sound where the logic of composition is generally apparent into a region of ...
... step by step from the methods of classical music to the methods which he employs -and if we follow his gradients we are imperceptibly eased from a region of sound where the logic of composition is generally apparent into a region of ...
Page 156
... step from particulars to generalizings ( a step the exact nature of which is often concealed beneath terms like " symbol " and " analogy " ) Hypothetically , even in a long work there might be no significant literal repeating of key ...
... step from particulars to generalizings ( a step the exact nature of which is often concealed beneath terms like " symbol " and " analogy " ) Hypothetically , even in a long work there might be no significant literal repeating of key ...
Contents
The Excursion | 17 |
The Poetic Process | 34 |
From Preface to CounterStatement first edition | 50 |
Copyright | |
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altar analysis appeal Arjk artist Aryan aspect attitude audience autoeroticism become burlesque Caesar Cassio character chiasmus Cinna consider conversion criticism Democritus Desdemona device dialectical doctrine drama effect eloquence emotion esthetic eyes fact feel folkish frame gashouse gang glory Heaven Hence Hitler human I. A. Richards Iago Iago's idea ideal imagery imagine ingredients insofar instance interpretation Kenneth Burke kind living logic logological look magic material matter Matthew Arnold means ment mind motives nature Nazi one's Othello pattern of experience perfect philosophy piety play plot poem poet poetic poetry possible principle psychosis purely rational reader reference require ritual romanticism scene sense Shakespeare situation social stanza Stendhal strategy stressing structure suggest symbolic theme theory things thou thought tion tragedy tragic transvaluation of values Treep truth turn Wawl whereby word writing