Perspectives by Incongruity, Volume 2 |
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Page 64
... play ; " countrymen " the better to identify the play - mob with the mob in the pit - for we are in the Renaissance , at that point when Europe's vast national integers are taking shape , and all the wisdom that comes of the body is to ...
... play ; " countrymen " the better to identify the play - mob with the mob in the pit - for we are in the Renaissance , at that point when Europe's vast national integers are taking shape , and all the wisdom that comes of the body is to ...
Page 65
... play - mob , as a character - recipe I do to you . Our author would play upon you ; he would seem to know your stops ; he would sound you from your lowest note to the top of your compass . He thinks you as easy to be played upon as a ...
... play - mob , as a character - recipe I do to you . Our author would play upon you ; he would seem to know your stops ; he would sound you from your lowest note to the top of your compass . He thinks you as easy to be played upon as a ...
Page 87
... play , but because Shakespeare as a man had to say them . A playwright deals in moral certainties . If an audience ... play begins . The play is the aftermath of the tempest . The tempest was the period of the tragedies . And this ...
... play , but because Shakespeare as a man had to say them . A playwright deals in moral certainties . If an audience ... play begins . The play is the aftermath of the tempest . The tempest was the period of the tragedies . And this ...
Contents
The Excursion | 17 |
The Poetic Process | 34 |
From Preface to CounterStatement first edition | 50 |
Copyright | |
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altar analysis appeal Arjk artist Aryan aspect attitude audience autoeroticism become burlesque Caesar Cassio character chiasmus Cinna consider conversion criticism Democritus Desdemona device dialectical doctrine drama effect eloquence emotion esthetic eyes fact feel folkish frame gashouse gang glory Heaven Hence Hitler human I. A. Richards Iago Iago's idea ideal imagery imagine ingredients insofar instance interpretation Kenneth Burke kind living logic logological look magic material matter Matthew Arnold means ment mind motives nature Nazi one's Othello pattern of experience perfect philosophy piety play plot poem poet poetic poetry possible principle psychosis purely rational reader reference require ritual romanticism scene sense Shakespeare situation social stanza Stendhal strategy stressing structure suggest symbolic theme theory things thou thought tion tragedy tragic transvaluation of values Treep truth turn Wawl whereby word writing