Perspectives by Incongruity, Volume 2 |
From inside the book
Results 1-3 of 40
Page 193
... hands ( whereat , incidentally , we are reminded that , when we were first expecting Othello to ask Desdemona about ... hand- kerchief , Titus refers to it as a " napkin . ” Such a cluster of details would require us eventually to look ...
... hands ( whereat , incidentally , we are reminded that , when we were first expecting Othello to ask Desdemona about ... hand- kerchief , Titus refers to it as a " napkin . ” Such a cluster of details would require us eventually to look ...
Page 9
... hand and led him toward the altar , until Yul threw back his head and sang . But his notes began lingering and grumbling to one another among the beams , so that he quit singing . . . . He was led to the edge of the altar . Then she let ...
... hand and led him toward the altar , until Yul threw back his head and sang . But his notes began lingering and grumbling to one another among the beams , so that he quit singing . . . . He was led to the edge of the altar . Then she let ...
Page 151
... hands also radiates in another direction , including both the priest's painful paddling of Stephen's hands in the pandybat episode , and the episode at the top of p . 124 , where Stephen withdraws his hand from the priest as a sign that ...
... hands also radiates in another direction , including both the priest's painful paddling of Stephen's hands in the pandybat episode , and the episode at the top of p . 124 , where Stephen withdraws his hand from the priest as a sign that ...
Contents
The Excursion | 17 |
The Poetic Process | 34 |
From Preface to CounterStatement first edition | 50 |
Copyright | |
23 other sections not shown
Other editions - View all
Common terms and phrases
altar analysis appeal Arjk artist Aryan aspect attitude audience autoeroticism become burlesque Caesar Cassio character chiasmus Cinna consider conversion criticism Democritus Desdemona device dialectical doctrine drama effect eloquence emotion esthetic eyes fact feel folkish frame gashouse gang glory Heaven Hence Hitler human I. A. Richards Iago Iago's idea ideal imagery imagine ingredients insofar instance interpretation Kenneth Burke kind living logic logological look magic material matter Matthew Arnold means ment mind motives nature Nazi one's Othello pattern of experience perfect philosophy piety play plot poem poet poetic poetry possible principle psychosis purely rational reader reference require ritual romanticism scene sense Shakespeare situation social stanza Stendhal strategy stressing structure suggest symbolic theme theory things thou thought tion tragedy tragic transvaluation of values Treep truth turn Wawl whereby word writing