Perspectives by Incongruity, Volume 2 |
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Page 30
... feel sorry for them , and therefore turn to plays so that we can feel sorry although no real misery is involved . One might apply the parallel interpretation to the modern delight in happy endings , and say that we turn to art to ...
... feel sorry for them , and therefore turn to plays so that we can feel sorry although no real misery is involved . One might apply the parallel interpretation to the modern delight in happy endings , and say that we turn to art to ...
Page 105
... feel that they could conduct their businesses without any basic change whatever , once the businessmen of a different " race " were eliminated . ( 3 ) Symbolic rebirth . Another aspect of the two features already noted . The projective ...
... feel that they could conduct their businesses without any basic change whatever , once the businessmen of a different " race " were eliminated . ( 3 ) Symbolic rebirth . Another aspect of the two features already noted . The projective ...
Page 138
... feel that this perspective vows us to a neglect of the " realistic " element in poetry . Its stress upon processes of ritual and stylization , they feel , too greatly implies that the poet is making passes in the air , mere blandish ...
... feel that this perspective vows us to a neglect of the " realistic " element in poetry . Its stress upon processes of ritual and stylization , they feel , too greatly implies that the poet is making passes in the air , mere blandish ...
Contents
The Excursion | 17 |
The Poetic Process | 34 |
From Preface to CounterStatement first edition | 50 |
Copyright | |
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altar analysis appeal Arjk artist Aryan aspect attitude audience autoeroticism become burlesque Caesar Cassio character chiasmus Cinna consider conversion criticism Democritus Desdemona device dialectical doctrine drama effect eloquence emotion esthetic eyes fact feel folkish frame gashouse gang glory Heaven Hence Hitler human I. A. Richards Iago Iago's idea ideal imagery imagine ingredients insofar instance interpretation Kenneth Burke kind living logic logological look magic material matter Matthew Arnold means ment mind motives nature Nazi one's Othello pattern of experience perfect philosophy piety play plot poem poet poetic poetry possible principle psychosis purely rational reader reference require ritual romanticism scene sense Shakespeare situation social stanza Stendhal strategy stressing structure suggest symbolic theme theory things thou thought tion tragedy tragic transvaluation of values Treep truth turn Wawl whereby word writing