Perspectives by Incongruity, Volume 2 |
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Page 181
... Othello and Iago enter at a distance , Cassio leaves , and Iago mutters , " Ha ! I like not that . " OTHELLO . IAGO . OTHELLO . JAGO . OTHELLO . DESDEMONA . What dost thou say ? Nothing , my lord : or if - I know not what . Was not that ...
... Othello and Iago enter at a distance , Cassio leaves , and Iago mutters , " Ha ! I like not that . " OTHELLO . IAGO . OTHELLO . JAGO . OTHELLO . DESDEMONA . What dost thou say ? Nothing , my lord : or if - I know not what . Was not that ...
Page 182
... OTHELLO . He did , from first to last : why dost thou ask ? IAGO . OTHELLO . But for a satisfaction of my thought ; No further harm . Why of thy thought , Iago ? LAGO . I did not think he had been acquainted with her . OTHELLO . O ! yes ...
... OTHELLO . He did , from first to last : why dost thou ask ? IAGO . OTHELLO . But for a satisfaction of my thought ; No further harm . Why of thy thought , Iago ? LAGO . I did not think he had been acquainted with her . OTHELLO . O ! yes ...
Page 184
... Othello ever ( quite as a good dramatist would never think of arguing with his audience ) . Rather , he takes the role of one who is joining with Othello to get the matter clear , and would himself rejoice if his suspicions were proved ...
... Othello ever ( quite as a good dramatist would never think of arguing with his audience ) . Rather , he takes the role of one who is joining with Othello to get the matter clear , and would himself rejoice if his suspicions were proved ...
Contents
The Excursion | 17 |
The Poetic Process | 34 |
From Preface to CounterStatement first edition | 50 |
Copyright | |
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altar analysis appeal Arjk artist Aryan aspect attitude audience autoeroticism become burlesque Caesar Cassio character chiasmus Cinna consider conversion criticism Democritus Desdemona device dialectical doctrine drama effect eloquence emotion esthetic eyes fact feel folkish frame gashouse gang glory Heaven Hence Hitler human I. A. Richards Iago Iago's idea ideal imagery imagine ingredients insofar instance interpretation Kenneth Burke kind living logic logological look magic material matter Matthew Arnold means ment mind motives nature Nazi one's Othello pattern of experience perfect philosophy piety play plot poem poet poetic poetry possible principle psychosis purely rational reader reference require ritual romanticism scene sense Shakespeare situation social stanza Stendhal strategy stressing structure suggest symbolic theme theory things thou thought tion tragedy tragic transvaluation of values Treep truth turn Wawl whereby word writing