The Man Shakespeare and His Tragic Life-story |
From inside the book
Results 1-5 of 49
Page xvii
... sweet gentleness and long martyrdom . I cannot but think that his portrait will thus gain more in truth than it can lose in ideal beauty . Or let me come nearer to my purpose by means of a simile . Talking with Sir David Gill one ...
... sweet gentleness and long martyrdom . I cannot but think that his portrait will thus gain more in truth than it can lose in ideal beauty . Or let me come nearer to my purpose by means of a simile . Talking with Sir David Gill one ...
Page 4
... sweet kindly juices , not perfect in any way , shrivelled on this side by early frost - bite , and on that softened to corruption through too much heat , marred here by the bitter - black cicatrice of an ancient injury and there fortune ...
... sweet kindly juices , not perfect in any way , shrivelled on this side by early frost - bite , and on that softened to corruption through too much heat , marred here by the bitter - black cicatrice of an ancient injury and there fortune ...
Page 11
... sweet sound lovers ' tongues by night , Like softest music to attending ears . ' " " We may be certain that Juliet would have pre- ferred more pointed praise . He is indeed so lost in his ill - timed reverie that Juliet has to call him ...
... sweet sound lovers ' tongues by night , Like softest music to attending ears . ' " " We may be certain that Juliet would have pre- ferred more pointed praise . He is indeed so lost in his ill - timed reverie that Juliet has to call him ...
Page 26
... sweet as any line in the sonnets , and here completely out of place . In these first two acts the character of Macbeth is outlined so firmly that no after - touches can efface the impression . Now comes a period in the drama in which ...
... sweet as any line in the sonnets , and here completely out of place . In these first two acts the character of Macbeth is outlined so firmly that no after - touches can efface the impression . Now comes a period in the drama in which ...
Page 65
... sweet a guest As my sweet Richard . " And from this scene to the end of the play Shake- speare enlists all our sympathy for Richard . Now , 65 The Bastard , Arthur , and King Richard II .
... sweet a guest As my sweet Richard . " And from this scene to the end of the play Shake- speare enlists all our sympathy for Richard . Now , 65 The Bastard , Arthur , and King Richard II .
Other editions - View all
Common terms and phrases
action Anne Hathaway Antony beauty Ben Jonson better Biron Brutus Caesar character characteristic Claudio Cleopatra Coleridge Comedy confession contempt Cressida cries critics Cymbeline death doubt drama Duke eyes fact Falstaff fault gentle Gentlemen of Verona give Hamlet hath heart Herbert hero honour Hotspur humour Iago Jaques jealousy Jonson Juliet King later Lear live Lord Love's Labour's Lost lover lyric Macbeth Mary Fitton melancholy mind mistress murder nature never noble old play Orsino Othello painted passion peculiar phrase pity poet portrait Posthumus praise Prince Henry Proteus revenge Richard Richard II Romeo Romeo and Juliet Rosaline says scene seems sensuality Shake Shakespeare speaks shows sonnets soul speare speare's speech spirit story Stratford sweet sympathy talk tells thee thou thought Timon tion tragedy traits Troilus Troilus and Cressida true truth Twelfth Night Valentine weakness wife woman words youth
Popular passages
Page 24 - Sleep no more! Macbeth does murder sleep" — the innocent sleep, Sleep that knits up the ravell'd sleave of care; The death of each day's life, sore labour's bath, Balm of hurt minds, great Nature's second course, Chief nourisher in life's feast — Lady M. What do you mean? Macb. Still it cried "Sleep no more!
Page 69 - All murder'd ; for within the hollow crown, That rounds the mortal temples of a king, Keeps Death his court, and there the antic sits, Scoffing his state and grinning at his pomp...
Page 20 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...
Page 346 - This music crept by me upon the waters, Allaying both their fury and my passion With its sweet air : thence I have follow'd it, Or it hath drawn me rather.
Page 330 - I'll kneel down, And ask of thee forgiveness : so we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news ; and we'll talk with them too, Who loses and who wins ; who's in, who's out ; And take...
Page 118 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Page 182 - How use doth breed a habit in a man ! This shadowy desert, unfrequented woods, I better brook than flourishing peopled towns : Here can I sit alone, unseen of any, And, to the nightingale's complaining notes, Tune my distresses, and record
Page 3 - OTHERS abide our question. Thou art free. We ask and ask — Thou smilest and art still, Out-topping knowledge. For the loftiest hill, Who to the stars uncrowns his majesty, Planting his steadfast footsteps in the sea, Making the heaven of heavens his dwelling-place, Spares but the cloudy border of his base To the...
Page 327 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these ? O, I have ta'en Too little care of this ! Take physic, pomp ; Expose thyself to feel what wretches feel, That thou mayst shake the superflux to them, And show the heavens more just.
Page 24 - But wherefore could not I pronounce, Amen ? I had most need of blessing, and Amen stuck in my throat.