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in the other insurmountable distresses of humanity? It remains that we retard what we cannot repel, that we palliate what we cannot cure. Life may be lengthened by care, though death cannot be ultimately defeated: tongues, like governments, have a natural tendency to degeneration; we have long preserved our constitution, let us make some struggles for our

In hope of giving longevity to that which its own nature forbids to be immortal, I have devoted this book, the labour of years, to the honour of my country, that we may no longer yield the palm of philology, without a contest,

the words that expressed it must perish with it: as any opinion grows popular, it will innovate speech in the same proportion as it alters practice. As by the cultivation of various sciences a language is amplified, it will be more furnished with words deflected from their original sense; the geometrician will talk of a courtier's zenith, or the eccentric virtue of a wild hero, and the physician of sanguine expectations and phleg-language. matic delays. Copiousness of speech will give opportunities to capricious choice, by which some words will be preferred, and others degraded; vicissitudes of fashion will enforce the use of new, or extend the signification of known terms. The tropes of poetry will make hourly encroach-to the nations of the continent. The chief glory ments, and the metaphorical will become the current sense; pronunciation will be varied by levity or ignorance, and the pen must at length comply with the tongue; illiterate writers will, at one time or other, by public infatuation, rise into renown, who not knowing the original import of words, will use them with colloquial licentiousness, confound distinction, and forget propriety. As politeness increases, some expressions will be considered as too gross and vulgar for the delicate, others as too formal and ceremonious for the gay and airy; new phrases are therefore adopted, which must, for the same reasons, be in time dismissed. Swift, in his petty treatise on the English language, allows that new words When I am animated by this wish, I look must sometimes be introduced, but proposes that with pleasure on my book, however defective, none should be suffered to become obsolete. But and deliver it to the world with the spirit of a what makes a word obsolete, more than general man that has endeavoured well. That it will agreement to forbear it? and how shall it be con- immediately become popular, I have not protinued, when it conveys an offensive idea, or re-mised to myself: a few wild blunders, and risicalled again into the mouths of mankind, when it has once become unfamiliar by disuse, and unpleasing by unfamiliarity?

There is another cause of alteration more prevalent than any other, which yet in the present state of the world cannot be obviated. A mixture of two languages will produce a third distinct from both, and they will always be mixed, where the chief parts of education, and the most conspicuous accomplishment, is skill in ancient or in foreign tongues. He that has long cultivated another language, will find its words and combinations crowd upon his memory; and haste and negligence, refinement and affectation, will obtrude borrowed terms and exotic expressions.

The great pest of speech is frequency of translation. No book was ever turned from one language into another, without imparting something of its native idiom; this is the most mischievous and comprehensive innovation; single words may enter by thousands, and the fabric of the tongue continue the same; but new phraseology changes much at once; it alters not the single stones of the building, but the order of the columns. If an academy should be established for the cultivation of our style; which I, who can never wish to see dependence multiplied, hope the spirit of English liberty will hinder or destroy, let them, instead of compiling grammars and dictionaries, endeavour, with all their influence, to stop the license of translators, whose idleness and ignorance, if it be suffered to proceed, will reduce us to babble the dialect of France.

If the changes that we fear be thus irresistible, what remains but to acquiesce with silence, as

of every people arises from its authors: whether I shall add any thing by my own writings to the reputation of English literature, must be left to time: much of my life has been lost under the pressures of disease; much has been trifled away; and much has always been spent in provision for the day that was passing over me; but I shall not think my employment useless or ignoble, if by my assistance foreign nations and distant ages gain access to the propagators of knowledge, and understand the teachers of truth; if my labours afford light to the repositories of science, and add celebrity to Bacon, to Hooker, to Milton, and to Boyle.

ble absurdities, from which no work of such multiplicity was ever free, may for a time furnish folly with laughter, and harden ignorance into contempt; but useful diligence will at last prevail, and there never can be wanting some who distinguish desert; who will consider that no dictionary of a living tongue ever can be per fect, since, while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient: that he, whose design includes whatever language can express, must often speak of what he does not understand; that a writer will sometimes be hurried by eagerness to the end, and sometimes faint with weariness under a task, which Scaliger compares to the labours of the anvil and the mine; that what is obvious is not always known, and what is known is not always present; that sudden fits of inadvertency will surprise vigilance, slight avocations will seduce attention, and casual eclipses of the mind will darken learning; and that the writer shall often in vain trace his memory at the moment of need, for that which yesterday he knew with intuitive readiness, and which will come uncalled into his thoughts to-morrow.

In this work, when it shall be found that much is omitted, let it not be forgotten that much likewise is performed; and though no book was ever spared out of tenderness to the author, and the world is little solicitous to know whence proceed the faults of that which it condemns; yet it may gratify curiosity to inform it, that the "English Dictionary" was written with little assistance of the learned, and without any patronage of the great; not in the soft obscuri

plaining terms of science, or words of infrequent occurrence, or remote derivation.

ties of retirement, or under the shelter of acade- | of such as aspire to exactness of criticism, or mic bowers, but amidst inconvenience and dis- elegance of style. traction, in sickness and in sorrow. It may But it has been since considered that works repress the triumph of malignant criticism to of that kind are by no means necessary to the observe, that if our language is not here fully greater number of readers, who, seldom intenddisplayed, I have only failed in an attempt which ing to write or presuming to judge, turn over no human powers have hitherto completed. If books only to amuse their leisure, and to gain the lexicons of ancient tongues, now immutably degrees of knowledge suitable to lower characfixed, and comprised in a few volumes, be yet, ters, or necessary to the common business of after the toil of successive ages, inadequate and life: these know not any other use of a dictiondelusive; if the aggregated knowledge and co-ary than that of adjusting orthography, and exoperating diligence of the Italian academicians, did not secure them from the censure of Beni; if the embodied critics of France, when fifty years had been spent upon their work, were obliged to change its economy, and give their second edition another form, I may surely be contented without the praise of perfection, which, if I could obtain, in this gloom of solitude, what would it avail me? I have protracted my work till most of those whom I wished to please have sunk into the grave, and success and miscarriage are empty sounds: I therefore dismiss it with frigid tranquillity, having little to fear or hope from censure or from praise.

ADVERTISEMENT

TO THE FOURTH EDITION OF THE ENGLISH
DICTIONARY.

MANY are the works of human industry, which to begin and finish are hardly granted to the same man. He that undertakes to compile a dictionary, undertakes that, which, if it comprehends the full extent of his design, he knows himself unable to perform. Yet his labours, though deficient, may be useful, and with the hope of this inferior praise, he must incite his activity, and solace his weariness.

Perfection is unattainable, but nearer and nearer approaches may be made; and finding my dictionary about to be reprinted, I have endeavoured, by a revisal, to make it less reprehensible. I will not deny that I found many parts requiring emendation, and many more capable of improvement. Many faults I have corrected, some superfluities I have taken away, and some deficiencies I have supplied. I have methodised some parts that were disordered, and illuminated some that were obscure. Yet the changes or additions bear a very small proportion to the whole. The critic will now have less to object, but the student who has bought any of the former copies needs not repent; he will not, without nice collation, perceive how they differ; and usefulness seldom depends upon little things.

For negligence or deficience, I have perhaps not need of more apology than the nature of the work will furnish: I have left that inaccurate which never was made exact, and that imperfect which never was completed.

PREFACE

TO THE OCTAVO EDITION OF THE ENGLISH
DICTIONARY.

HAVING been long employed in the study and cultivation of the English language, I lately published a Dictionary like those compiled by the academies of Italy and France, for the use

For these purposes many dictionaries have been written by different authors, and with different degrees of skill; but none of them have yet fallen into my hands by which even the lowest expectations could be satisfied. Some of their authors wanted industry, and others literature; some knew not their own defects, and others were too idle to supply them.

For this reason a small dictionary appeared yet to be wanting to common readers; and, as I may without arrogance claim to myself a longer acquaintance with the lexicography of our language than any other writer has had, I shall hope to be considered as having more experience at least than most of my predecessors, and as more likely to accommodate the nation with a vocabulary of daily use. I therefore offer to the public an Abstract or Epitome of my former Work.

the same kind, it will be found to have several In comparing this with other dictionaries of advantages.

I. It contains many words not to be found in any other.

which other dictionaries may vitiate the style, II. Many barbarous terms and phrases by are rejected from this.

III. The words are more correctly spelled, partly by attention to their etymology, and partly by observation of the practice of the best authors.

IV. The etymologies and derivations, whether from foreign languages or from native roots, are more diligently traced, and more distinctly noted.

V. The senses of each word are more copi ously enumerated, and more clearly explained.

thors, such as Spenser, Shakspeare, and Milton. VI. Many words occurring in the elder au which had been hitherto omitted, are here carefully inserted; so that this book may serve as a glossary or expository index to the poetical

writers.

VII. To the words, and to the different senses of each word, are subjoined from the large dictionary the names of those writers by whom they have been used; so that the reader who knows the different periods of the language, and the time of its authors, may judge of the ele gance or prevalence of any word, or meaning of a word; and without recurring to other books, may know what are antiquated, what are unusual, and what are recommended by the best authority.

The words of this Dictionary, as opposed to others, are more diligently collected, more accurately spelled, more faithfully explained, and more authentically ascertained. Of an Abstract it is not necessary to say more; and I hope it wil not be found that truth requires me to say less.

MISCELLANEOUS OBSERVATIONS

ON THE

TRAGEDY OF MACBETH:

WITH REMARKS ON SIR T. HANMER'S EDITION OF SHAKSPEARE.

FIRST PRINTED IN THE YEAR 1745.

NOTE I.

ACT I. SCENE I.-Enter three Witches. In order to make a true estimate of the abilities and merit of a writer, it is always necessary to examine the genius of his age, and the opinions of his contemporaries. A poet who should now make the whole action of his tragedy depend upon enchantment, and produce the chief events by the assistance of supernatural agents, would be censured as transgressing the bounds of probability, he would be banished from the theatre to the nursery, and condemned to write Fairy Tales instead of Tragedies; but a survey of the notions that prevailed at the time when this play was written, will prove that Shakspeare was in no danger of such censures, since he only turned the system that was then universally admitted to his advantage, and was far from overburdening the credulity of his audience.

out soldiers, was, at the instance of the Empress Placidia, put to death, when he was about to have given proofs of his abilities. The empress showed some kindness in her anger by cutting him off at a time so convenient for his reputa tion.

But a more remarkable proof of the antiquity of this notion may be found in St. Chrysostom's book de Sacerdotio, which exhibits a scene of enchantments not exceeded by any romance of the middle age; he supposes a spectator, overlook. ing a field of battle, attended by one that points out all the various objects of horror, the engines of destruction, and the arts of slaughter. Aa «νότο δὲ ἔτι παρὰ τοῖς ἐναντίοις καὶ πετομένους ἵππους διά τινος μαγγανείας, καὶ ὁπλίτας δι' ἀέρος φερομένους, καὶ πάσην γοητείας δύναμιν καὶ ἰδέαν. Let him then proceed to show him in the opposite armies horses flying by enchantment, armed men transported through the air, and every power and form of ma gic. Whether St. Chrysostom believed that such performances were really to be seen in a day of battle, or only endeavoured to enliven his description, by adopting the notions of the vulgar, it is equally certain, that such notions were in his time received, and that therefore they were not imported from the Saracens in a later age; the wars with the Saracens, however, gave occasion to their propagation, not only as bigotry naturally discovers prodigies, but as the scene of action was removed to a greater distance, and distance either of time or place is sufficient to reconcile weak minds to wonderful relations.

The reality of witchcraft or enchantment, which though not strictly the same, are confounded in this play, has in all ages and countries been credited by the common people, and in most by the learned themselves. These phantoms have indeed appeared more frequently, in proportion as the darkness of ignorance has been more gross; but it cannot be shown, that the brightest gleams of knowledge have at any time been sufficient to drive them out of the world. The time in which this kind of credulity was at its height, seems to have been that of the holy war, in which the Christians imputed all The reformation did not immediately arrive their defeats to enchantment or diabolical oppo- at its meridian, and though day was gradually sition, as they ascribe their success to the assis-increasing upon us, the goblins of witchcraft tance of their military saints; and the learned Mr. Warburton appears to believe ("Sup. to the Introduction to Don Quixote") that the first accounts of enchantments were brought into this part of the world by those who returned from their eastern expeditions. But there is always some distance between the birth and maturity of folly as of wickedness: this opinion had long existed, though perhaps the application of it had in no foregoing age been so frequent, nor the reception so general. Olympiodorus, in Photius's Extracts, tells us of one Libanius, who practised this kind of military magic, and having promised χώρις ὁπλιτῶν κατὰ Βαρβαρων ἐνεργεῖν, to perform great things against the Barbarians, with

still continued to hover in the twilight. In the time of Queen Elizabeth was the remarkable trial of the witches of Warbois, whose conviction is still commemorated in an annual sermon at Huntingdon. But in the reign of King James, in which this tragedy was written, many circumstances concurred to propagate and confirm this opinion. The king who was much cele brated for his knowledge, had, before his arrival in England, not only examined in person a woman accused of witchcraft, but had given a very formal account of the practices and illusions of evil spirits, the compacts of witches, the cere monies used by them, the manner of detecting them, and the justice of punishing them, in his

dialogues of Dæmonologie, written in the Scot- he had a just quarrel to endeavour after the ish dialect, and published at Edinburgh. This crown. The sense therefore is, fortune smiling book was, soon after his accession, reprinted at in his execrable cause, &c.

London; and as the ready way to gain King James's favour was to flatter his speculations, the system of Dæmonologie was immediately adopted by all who desired either to gain preferment or not to lose it. Thus the doctrine of witchcraft was very powerfully inculcated; and as the greatest part of mankind have no other reason for their opinions than that they are in fashion, it cannot be doubted but this persuasion made a rapid progress, since vanity and credulity co-operated in its favour, and it had a tendency to free cowardice from reproach. The infection soon reached the parliament, who, in the first year of King James, made a law, by which it was enacted, ch. xii. that, "If any person shall use any invocation or conjuration of any evil or wicked spirit; 2. Or shall consult, covenant with, entertain, employ, feed, or reward any evil or cursed spirit to or for any intent or purpose; 3. Or take up any dead man, woman, or child out of the grave, or the skin, bone, or any part of the dead person, to be employed or used in any manner of witchcraft, sorcery, charm, or enchantment; 4. Or shall use, practise, or exercise any sort of witchcraft, sorcery, charm, or enchantment; 5. Whereby any person shall be destroyed, killed, wasted, consumed, pined, or lamed in any part of the body; 6. That every such person, being convicted, shall suffer death."

Thus, in the time of Shakspeare, was the doctrine of witchcraft at once established by law and by the fashion, and it became not only unpolite, but criminal, to doubt it; and as prodigies are always seen in proportion as they are expected, witches were every day discovered, and multiplied so fast in some places, that Bishop Hall mentions a village in Lancashire, where their number was greater than that of the houses. The Jesuits and Sectaries took advantage of this universal error, and endeavoured to promote the interest of their parties by pretended cures of persons afflicted by evil spirits, but they were detected and exposed by the clergy of the esta

blished church.

Upon this general infatuation Shakspeare might be easily allowed to found a play, especially since he has followed with great exactness such histories as were then thought true; nor can it be doubted that the scenes of enchantment, however they may now be ridiculed, were both by himself and his audience thought awful and affecting,

NOTE II.-SCENE II.

The merciless Macdonel,- from the Western Isles Of Kerns and Gallow-glasses was supply'd; And fortune on his damned quarry smiling, Show'd like a rebel's whore.

Kerns are light-armed, and Gallow-glasses heavy-armed soldiers. The word quarry has no sense that is properly applicable in this place, and therefore it is necessary to read,

And fortune on his damned quarrel smiling. Quarrel was formerly used for cause or for the occasion of a quarrel, and is to be found in that sense in Hollingshead's account of the story of Macbeth, who, upon the creation of the Prince of Cumberland, thought, says the historian, that

NOTE III.

If I say sooth, I must report they were As cannons overcharg'd with double cracks, So they redoubled strokes upon the foe. Mr. Theobald has endeavoured to improve the sense of this passage by altering the punctu ation thus :

-They were

As cannons overcharg'd, with double cracks
So they redoubled strokes-

He declares with some degree of exultation, that he has no idea of a cannon charged with double cracks; but surely the great author will not gain much by an alteration which makes him say of a hero, that he redoubles strokes with double cracks, an expression not more loudly to be applauded, or more easily pardoned, than that which is rejected in its favour. That a cannon is charged with thunder or with double thunders, may be written not only without nonsense, but with elegance; and nothing else is here meant by cracks, which in the time of this writer was a word of such emphasis and dignity, that in this play he terms the general dissolution of nature the crack of doom.

There are among Mr. Theobald's alterations others which I do not approve, though I do not always censure them; for some of his amendments are so excellent, that, even when he has failed, he ought to be treated with indulgence and respect.

NOTE IV.

King. But who comes here?
Mal. The worthy Thane of Rosse.

Lenor. What haste looks through his eyes?
So should he look that seems to speak things strange.

The meaning of this passage as it now stands is, so should he look, that looks as if he told things strange. But Rosse neither yet told strange things, nor could look as if he told them; Lenox only conjectured from his air that he had strange things to tell, and therefore undoubtedly said,

-What haste looks through his eyes?

So should he look, that teems to speak things strange. He looks like one that is big with something of importance, a metaphor so natural, that it is every day used in common discourse.

NOTE V.-SCENE III.

Thunder. Enter the three Witches.

1st Witch. Where hast thou been, sister? 2d Witch. Killing swine.

3d Witch. Sister, where thou?

1st Witch. A sailor's wife had chesnuts in her lap, And mouncht, and mouncht, and mouncht. Give me,

quoth I.

(1) Aroint thee, witch, the rump-fed ronyon cries. Her husband's to Aleppo gone, master o' th' Tiger: But in a sieve I'll thither sail,

And like a rat without a tail,
I'll do I'll do and I'll do.
2d Witch. I'll give thee wind.

1st Witch. Thou art kind.

3d Witch. And I another.

1st Witch. I myself have all the other,
And the (2) very points they blow,
All the quarters that they know,

I' th' Ship-man's card

I will drain him dry as hay

Sleep shall neither night nor day

Hang upon his pent-house lid;
He shall live a man (3) forbid;
Weary seven-nights nine times nine,"
Shall he dwindle, peak, and pine;
Though his bark cannot be lost,
Yet it shall be tempest-tost,
Look what I have.

2d Witch. Show me, show me.

(1) Aroint thee, witch,

In one of the folio editions the reading is anoint thee, in a sense very consistent with the common accounts of witches, who are related to perform many supernatural acts by the means of unguents, and particularly to fly through the air to the place where they meet at their hellish festivals. In this sense, anoint thee, witch, will mean, away, witch, to your infernal assembly. This reading I was inclined to favour, because I had met with the word aroint in no other place; till looking into Hearne's Collections, I found it in a very old drawing that he has published, in which St. Patrick is represented visiting hell, and putting the devils into great confusion by his presence, of whom one that is driving the damned before him with a prong, has a label issuing out from his mouth with these words, out out aroynt, of which the last is evidently the same with aroint, and used in the same sense as in this passage.

(2) And the very points they blow.

As the word very is here of no other use than to fill up the verse, it is likely that Shakspeare wrote various, which might be easily mistaken for very, being either negligently read, hastily pronounced, or imperfectly heard.

(3) He shall live a man forbid.

Mr. Theobald has very justly explained forbid by accursed, but without giving any reason of his interpretation. To bid, is originally to pray, as in this Saxon fragment:

He is wis thaet bit & bote, &c.

He is wise that prays and improves. As to forbid therefore implies to prohibit, in opposition to the word bid in its present sense, it signifies by the same kind of opposition to curse, when it is derived from the same word in its primitive meaning.

NOTE VI-SCENE V.

The incongruity of all the passages in which the Thane of Cawdor is mentioned, is very remarkable; in the second scene the Thanes of Rosse and Angus bring the king an account of the battle, and inform him that Norway,

Assisted by that most disloyal traitor

The Thane of Cawdor, 'gan a dismal conflict. It appears that Cawdor was taken prisoner, for the king says in the same scene,

|Cawdor, whom he has just defeated and taken prisoner, or call him a prosperous gentleman, who has forfeited his title and life by open rebellion? Or why should he wonder that the title of the rebel whom he has overthrown should be conferred upon him? He cannot be supposed to dissemble his knowledge of the condition of Cawdor, because he inquires with all the ardour of curiosity, and the vehemence of sudden astonishment; and because nobody is present but Banquo, who had an equal part in the battle, and was equally acquainted with Cawdor's treason. However, in the next scene, his ignorance still continues; and when Rosse and Angus present him from the king with his new title, he cries out,

The Thane of Cawdor lives.

Why do you dress me in his borrowed robes?

Rosse and Angus, who were the messengers that in the second scene informed the king of the assistance given by Cawdor to the invader, having lost, as well as Macbeth, all memory of what they had so lately seen and related, make this answer,

Whether he was

Combin'd with Norway, or did line the rebels With hidden help and vantage, or with both He labour'd in his country's wreck, I know not Neither Rosse knew what he had just reported, nor Macbeth what he had just done. This seems not to be one of the faults that are to be imputed to the transcribers, since, though the inconsistency of Rosse and Angus might be removed, by supposing that their names are erroneously inserted, and that only Rosse brought the account of the battle, and only Angus was fulness of Macbeth cannot be palliated, since sent to compliment Macbeth, yet the forgetwhat he says could not have been spoken by

any other.

NOTE VII.

The thought, whose murder yet is but fantastica,
Shakes so my single state of man,-

The single state of man seems to be used by Shakspeare for an individual, in opposition to a commonwealth, or conjunct body of men.

NOTE VIII.

Macbeth. Come what come may,

Time and the hour runs through the roughest day. I suppose every reader is disgusted at the tautology in this passage, time and the hour, and will therefore willingly believe that Shakspeare wrote it thus,

-Come what come may,

Time! on!-the hour runs through the roughest day. Macbeth is deliberating upon the events which are to befall him; but finding no satisfaction from his own thoughts, he grows impatient of reflection, and resolves to wait the close without Mac-harassing himself with conjectures,

-Go, pronounce his death, And with his former title greet Macbeth. Yet though Cawdor was thus taken by beth in arms against his king, when Macbeth is saluted, in the fourth scene, Thane of Cawdor, by the Weird Sisters, he asks,

How of Cawdor? the Thane of Cawdor lives, A prosperous gentleman.And in the next line considers the promises, that he should be Cawdor and King, as equally unlikely to be accomplished. How can Macbeth be ignorant of the state of the Thane of

-Come what come may.

But to shorten the pain of suspense, he calis upon time in the usual style of ardent desire, to quicken his motion,

Time! on!

He then comforts himself with the reflection that all his perplexity must have an end,

-The hour runs through the roughest day.

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