Perspectives, Issues 5-7Hamish Hamilton, Limited, 1953 - United States |
From inside the book
Results 1-3 of 45
Page 127
... Scene 4 and Act IV , Scene 2. Verdi indicates , by returning at the end of the scene to the suave opening melody , that Otello tries to conceal his fury under a veil of mock politeness . The appearance of the dissonant chord and the ...
... Scene 4 and Act IV , Scene 2. Verdi indicates , by returning at the end of the scene to the suave opening melody , that Otello tries to conceal his fury under a veil of mock politeness . The appearance of the dissonant chord and the ...
Page 128
... scene , is here already made apparent by Verdi in the subtle transformation of the ominous double - bass melody into the " Kiss Motif " from the love - scene of the first act . But even Verdi would have found it an impossible task to ...
... scene , is here already made apparent by Verdi in the subtle transformation of the ominous double - bass melody into the " Kiss Motif " from the love - scene of the first act . But even Verdi would have found it an impossible task to ...
Page 131
... scene . In Falstaff it is Nannetta who is the innocent one , and on two occasions physical objects symbolize her separation from the world around her : the groves which hide the lovers in the garden - scene , and the screen in the ...
... scene . In Falstaff it is Nannetta who is the innocent one , and on two occasions physical objects symbolize her separation from the world around her : the groves which hide the lovers in the garden - scene , and the screen in the ...
Other editions - View all
Common terms and phrases
Abigail Aiken Allen Tate American architecture artist asked Benny better Bill Russo Bloom boys Caesar Catholic characters collection Conrad Aiken contemporary critics culture dark death drama E. B. White East of Eden Education Edward English essay eyes Falstaff Father Cawder feeling Fergusson fiction Francis Fergusson hand Henry human Hyman Bloom ideas individual Irwin Edman Jack Jarves Joan kind Laskell leisure Lewis Snyder light literary living look ment modern moral mother nature never Nick night novel novelists Otello painting Pattie Pattie Donahue perhaps Perspectives philosophy picture play poem poet poetry political problems R. P. Blackmur reader Review scene scientific seems sense social society story Street style symbol theater things thought tion tradition Trexler turned Unesco University Verdi voice W. H. Auden whole Woolf writing York