Approaching Authority: Transpersonal Gestures in the Poetry of Yeats, Eliot, and WilliamsThis study, using the example of Yeats, Eliot, and Williams, examines the principal gestures of Modernist poetic speakers attempting to identify, mediate, and project cultural authority. To effect this mediation, the poetic speakers must engage in "transpersonality"; by association with the objects of presences in the poem, they must translate their finite egos into mediating voices detached from the concerns of unique selfhood. However, complete transpersonality brings silence: the fact of utterance presupposes a unique perspective, never the totality of perspectives that an atemporal authority possesses. So, rather than the speaker's elevation to a position of authority, the necessary result of the transpersonality is instead that the speaker approach authority in calculated acts of mystification. |
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Page 19
... speak of authority as communal , cooperative , and reciprocating considering its more widely held connotations of tyranny and coercion , any conflict in meaning re- sults from a confusion between definitions of power and authority ...
... speak of authority as communal , cooperative , and reciprocating considering its more widely held connotations of tyranny and coercion , any conflict in meaning re- sults from a confusion between definitions of power and authority ...
Page 95
... speak , needing to speak precisely because he does not possess either faith or pride . Daniel Albright rightly calls the " Translunar Paradise " passage the climax of the poem , but there are more important reasons for doing so than the ...
... speak , needing to speak precisely because he does not possess either faith or pride . Daniel Albright rightly calls the " Translunar Paradise " passage the climax of the poem , but there are more important reasons for doing so than the ...
Page 110
... speak with authority " ( 228 ) . I think , though , that Ward is misled by refer- ring to Eliot rather than the speaker , therefore missing the point that the speaker does speak with authority , doing so because he allows the force of ...
... speak with authority " ( 228 ) . I think , though , that Ward is misled by refer- ring to Eliot rather than the speaker , therefore missing the point that the speaker does speak with authority , doing so because he allows the force of ...
Contents
Acknowledgments | 7 |
Logos and Ego | 44 |
Egocentered Authority | 72 |
Copyright | |
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Common terms and phrases
abstract actual archetypal argues assert authenticity authority to mediate Book Burnt Norton centered authority claims co-extensive authority consciousness consequence create creative Cress cultural authority death descent desire display divine Dry Salvages East Coker effort ego and Logos ego-centered authority ego's Eliot empirical exist experience expressed failure figurative level Four Quartets gestures Hanrahan hieratic homologous human idea ideal identify identity images imagination individual inevitable interpretive invocation language Little Gidding Logos-centered authority Mary Hynes meaning mind mind's modern modernist movement Nature objective world passage Paterson perceived perception poem poem's poet poet's poetic authority poetic speaker poetry position presence pride prior projected reader purpose reading reality relationship reorientation rhetorical role Romantic Romantic poetry self-consciousness self's sense speaker's authority speaking ego structure T.S. Eliot temporal authority textual voice thority tion tradition transpersonal University Press vision W. B. Yeats William Carlos Williams Williams's Yeats Yeats's younger