Approaching Authority: Transpersonal Gestures in the Poetry of Yeats, Eliot, and WilliamsThis study, using the example of Yeats, Eliot, and Williams, examines the principal gestures of Modernist poetic speakers attempting to identify, mediate, and project cultural authority. To effect this mediation, the poetic speakers must engage in "transpersonality"; by association with the objects of presences in the poem, they must translate their finite egos into mediating voices detached from the concerns of unique selfhood. However, complete transpersonality brings silence: the fact of utterance presupposes a unique perspective, never the totality of perspectives that an atemporal authority possesses. So, rather than the speaker's elevation to a position of authority, the necessary result of the transpersonality is instead that the speaker approach authority in calculated acts of mystification. |
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Page 129
... action or inaction You can receive this : " on whatever sphere of being The mind of man may be intent At the time of death " -that is the one action ( And the time of death is every moment ) Which shall fructify in the lives of others ...
... action or inaction You can receive this : " on whatever sphere of being The mind of man may be intent At the time of death " -that is the one action ( And the time of death is every moment ) Which shall fructify in the lives of others ...
Page 149
... action gives him a greater authority to mediate our perceptions , crafting a version of vox populae rather than vox cathedra . Carl Rapp's vigorous if unconvincing argument for Williams's Romanti- cism proposes that for Williams , as ...
... action gives him a greater authority to mediate our perceptions , crafting a version of vox populae rather than vox cathedra . Carl Rapp's vigorous if unconvincing argument for Williams's Romanti- cism proposes that for Williams , as ...
Page 195
... action of the art object with the action of the mind in the act of creation . The mind then takes on the aspects of the eternal we associate with the art 5 : Williams's Unmade World 195.
... action of the art object with the action of the mind in the act of creation . The mind then takes on the aspects of the eternal we associate with the art 5 : Williams's Unmade World 195.
Contents
Acknowledgments | 7 |
Logos and Ego | 44 |
Egocentered Authority | 72 |
Copyright | |
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abstract actual archetypal argues assert authenticity authority to mediate Book Burnt Norton centered authority claims co-extensive authority consciousness consequence create creative Cress cultural authority death descent desire display divine Dry Salvages East Coker effort ego and Logos ego-centered authority ego's Eliot empirical exist experience expressed failure figurative level Four Quartets gestures Hanrahan hieratic homologous human idea ideal identify identity images imagination individual inevitable interpretive invocation language Little Gidding Logos-centered authority Mary Hynes meaning mind mind's modern modernist movement Nature objective world passage Paterson perceived perception poem poem's poet poet's poetic authority poetic speaker poetry position presence pride prior projected reader purpose reading reality relationship reorientation rhetorical role Romantic Romantic poetry self-consciousness self's sense speaker's authority speaking ego structure T.S. Eliot temporal authority textual voice thority tion tradition transpersonal University Press vision W. B. Yeats William Carlos Williams Williams's Yeats Yeats's younger